'Le premier _Discours_ anathématise les sciences et les arts, et ne voit le salut que dans les académies; le _Discours sur l'Inégalité_ paraît détruire tout autorité, et recommande pourtant "l'obéissance scrupuleuse aux lois et aux hommes qui en sont les auteurs": la _Nouvelle Héloïse_ prêche d'abord l'émancipation sentimentale, et proclame la suprématie des droits de la passion, mais elle aboutit à exalter la fidelité conjugale, à consolider les grands devoirs familiaux et sociaux. Le Vicaire Savoyard nous reserve la même surprise.'

To the revolutionaries of his age he was a renegade and a reactionary; to the Conservatives, a subversive charlatan. Yet he was in truth only a man stricken by the demon of 'la bonne foi,' and, like many men devoured by the passion of spiritual honesty, in his secret heart he believed in his similitude to Christ. 'Je ne puis pas souffrir les tièdes,' he wrote to Madame Latour in 1762, 'quiconque ne se passionne pas pour moi n'est pas digne de moi.' There is no mistaking the accent, and it sounds more plainly still in the _Dialogues_. He, too, was persecuted for righteousness' sake, because he, too, proclaimed that the kingdom of heaven was within men.

Aspects of Literature — Part 16

And what, indeed, have material things to do with the purification and the peace of the soul? World-shattering arguments and world-preserving conclusions--this is the inevitable paradox which attends the attempt to record truth seen by the eye of the soul in the language of the market-place. The eloquence and the inspiration may descend upon the man so that he writes believing that all men will understand. He wakes in the morning and he is afraid, not of his own words whose deeper truth he does not doubt, but of the incapacity of mankind to understand him. They will read in the letter what was written in the spirit; their eyes will see the words, but their ears will be stopped to the music. The _mystique_ as Péguy would have said, will be degraded into _politique_. To guard himself against this unhallowed destiny, at the last Rousseau turns with decision and in the language of his day rewrites the hard saying, that the things which are Cæsar's shall be rendered unto Cæsar.

Aspects of Literature — Part 16

In the light of this necessary truth all the contradictions which have been discovered in Rousseau's work fade away. That famous confusion concerning 'the natural man,' whom he presents to us now as a historic fact, now as an ideal, took its rise, not in the mind of Jean-Jacques, but in the minds of his critics. The _Contrat Social_ is a parable of the soul of man, like the _Republic_ of Plato. The truth of the human soul is its implicit perfection; to that reality material history is irrelevant, because the anatomy of the soul is eternal. And as for the nature of this truth, 'it is true so soon as it is felt.' When the Savoyard Vicar, after accepting all the destructive criticism of religious dogma, turned to the Gospel story with the immortal 'Ce n'est pas ainsi qu'on invente,' he was only anticipating what Jean-Jacques was to say of himself before his death, that there was a sign in his work which could not be imitated, and which acted only at the level of its source. We may call Jean-Jacques religious because we have no other word; but the word would be more truly applied to the reverence felt towards such a man than to his own emotion. He was driven to speak of God by the habit of his childhood and the deficiency of a language shaped by the intellect and not by the soul. But his deity was one whom neither the Catholic nor the Reformed Church could accept, for He was truly a God who does not dwell in temples made with hands. The respect he owed to God, said the Vicar, was such that he could affirm nothing of Him. And, again, still more profoundly, he said, 'He is to our souls what our soul is to our body.' That is the mystical utterance of a man who was no mystic, but of one who found his full communion in the beatific _dolce far niente_ of the Lake of Bienne. Jean-Jacques was set apart from his generation, because, like Malvolio, he thought highly of the soul and in nowise approved the conclusions of his fellows; and he was fortunate to the last, in spite of what some are pleased to call his madness (which was indeed only his flaming and uncomprehending indignation at the persecution inevitably meted out by those who have only a half truth to one who has the whole), because he enjoyed the certainty that his high appraisement of the soul was justified.

Aspects of Literature — Part 16