If these objects can only be attained in the manner indicated by the principle of authority, then of course liberty, in so many other domains regarded as a blessing, is in these domains to be regarded as a curse, and is to be attacked and exterminated. But if they can _possibly_ be attained in other ways, possibly be attained _better_ in other ways (and such a possibility is difficult to disprove), if, finally, the measure of attainment arrived at in the traditional manner is hardly worth taking into account, then absolutely free inquiry, without regard to human or superhuman authority, is man's bounden duty. In a century such as that in which we live the principle of authority, as the principle which prevents all free inquiry, is the worst, the most stupid, and the most degrading that can be imagined, and stands self-condemned. The man who, by deriding or forbidding free investigation into any social question whatsoever, prevents, as he undoubtedly does, the suggestion of hypotheses and the trying of practical experiments which might prove to be of value to his fellow-men, is a criminal, for whom, if there were equity and justice upon earth, no punishment would be considered too severe. It unfortunately happens that the majority of educated men are criminals of this class, so that the prospect of having them punished is very slight.

Bonald was such a criminal; but in his outward circumstances we can find no trace of the pursuit of an avenging Nemesis. He lived to the age of eighty-six, and was all his life one of the most influential and respected men of his period. He died in 1840, full of days and of honour.

Main Currents in Nineteenth Century Literature, Vol. III (of 6) The Reaction in France — Part 99

[1] Louis de Viel-Castel, _Histoire de la Restauration_, iv. 487.

Main Currents in Nineteenth Century Literature, Vol. III (of 6) The Reaction in France — Part 99

[2] "La société a pour parvenir à sa fin, _qui est sa conservation, des lois_". _Du Divorce_, 107.

Main Currents in Nineteenth Century Literature, Vol. III (of 6) The Reaction in France — Part 99

[3] _Progrès de la révolution et de la guerre contre l'église_, p. 35.

[4] John Stuart Mill, _Autobiography_, p. 256.

[5] See, for example, Stephen Pearl Andrews, _Love, Marriage, and Divorce_ (New York); also Émile de Girardin, _L'homme et la femme_.

There was no poetry in France under the Empire. Chateaubriand was doubtless an author with great poetic gifts, but Napoleon was the one poet in the grand style. Chateaubriand who hated him, felt this. He writes (in the fourth part of his _Mémoires_): "A marvellous power of imagination inspired this cold politician; but for his muse he would not have been what he was. His intellect carried out his poetic ideas." The long succession of his wars, victories, and defeats was a great Iliad, the Russian campaign a giant tragedy, with which none written at a desk could compare.