Every summer day that dawned held Claremore as a possibility. And such was my capacity for joy that my appetite would depart completely when I heard my mother say, questioningly and with proper wifely respect--
“If you're really going off on a business trip for a day or two, Mr. Paret” (she generally addressed my father thus formally), “I think I'll go to Robert's and take Hugh.”
“Shall I tell Norah to pack, mother,” I would exclaim, starting up.
“We'll see what your father thinks, my dear.”
“Remain at the table until you are excused, Hugh,” he would say.
Released at length, I would rush to Norah, who always rejoiced with me, and then to the wire fence which marked the boundary of the Peters domain next door, eager, with the refreshing lack of consideration characteristic of youth, to announce to the Peterses--who were to remain at home the news of my good fortune. There would be Tom and Alfred and Russell and Julia and little Myra with her grass-stained knees, faring forth to seek the adventures of a new day in the shady western yard. Myra was too young not to look wistful at my news, but the others pretended indifference, seeking to lessen my triumph. And it was Julia who invariably retorted “We can go out to Uncle Jake's farm whenever we want to. Can't we, Tom?”...
No journey ever taken since has equalled in ecstasy that leisurely trip of thirteen miles in the narrow-gauge railroad that wound through hot fields of nodding corn tassels and between delicious, acrid-smelling woods to Claremore. No silent palace “sleeping in the sun,” no edifice decreed by Kubla Khan could have worn more glamour than the house of Cousin Robert Breck.
It stood half a mile from the drowsy village, deep in its own grounds amidst lawns splashed with shadows, with gravel paths edged--in barbarous fashion, if you please with shells. There were flower beds of equally barbarous design; and two iron deer, which, like the figures on Keats's Grecian urn, were ever ready poised to flee,--and yet never fled. For Cousin Robert was rich, as riches went in those days: not only rich, but comfortable. Stretching behind the house were sweet meadows of hay and red clover basking in the heat, orchards where the cows cropped beneath the trees, arbours where purple clusters of Concords hung beneath warm leaves: there were woods beyond, into which, under the guidance of Willie Breck, I made adventurous excursions, and in the autumn gathered hickories and walnuts. The house was a rambling, wooden mansion painted grey, with red scroll-work on its porches and horsehair furniture inside. Oh, the smell of its darkened interior on a midsummer day! Like the flavour of that choicest of tropical fruits, the mangosteen, it baffles analysis, and the nearest I can come to it is a mixture of matting and corn-bread, with another element too subtle to define.