Keye Luke (, Cantonese: Luk Shek-kee; June 18, 1904 – January 12, 1991) was a Chinese-American film and television actor, technical advisor and artist and a founding member of the Screen Actors Guild.
He was known for playing Lee Chan, the "Number One Son" in the Charlie Chan films, the original Kato in the 1939–1941 Green Hornet film serials, Brak in the 1960s Space Ghost cartoons, Master Po in the television series Kung Fu, and Mr. Wing in the Gremlins films.
He was the first Chinese-American contract player signed by RKO, Universal Pictures and Metro-Goldwyn-Mayer and was one of the most prominent Asian actors of American cinema in the mid-20th century.
Early life
Luke was born in Guangzhou, China. His father, Lee Luke, was born in San Francisco in 1880, traveled to China several times where he married Keye's mother, Down Cook. Lee Luke established an art/import shop in Seattle Chinatown. Keye was raised in Seattle. They were part of the Luke family, relatives of Washington assistant attorney-general Wing Luke, for whom Seattle's Wing Luke Asian Museum was named. He had four siblings who all emigrated from Seattle to California during the Great Depression. His younger brother Edwin Luke also became an actor in the Charlie Chan series.
In Seattle, Luke attended Franklin High School, where he contributed cartoons and illustrations to school publications. Keye Luke became a naturalized citizen of the United States in 1944.
Artist
Before becoming an actor, he was an artist in Seattle and, later, Hollywood. Luke worked on several of the murals inside Grauman's Chinese Theatre. He did some of the original artwork for the pressbook of the original King Kong (1933). Luke also painted a mural for the casino set in The Shanghai Gesture (1941).
He published a limited edition set of pen and ink drawings of the Rubaiyat of Omar Khayyam in the 1950s. He also created illustrations for the books The Unfinished Song of Achmed Mohammed by Earle Liederman, Blessed Mother Goose by Frank Scully and an edition of Messer Marco Polo by Brian Oswald Donn-Byrne (unpublished). Other artwork completed by Luke included the dust jackets for books published in the 1950s and 1960s. It was through his studio art work that he was recruited for his earliest movie roles.
Acting career
Luke made his film debut in The Painted Veil (1934), and the following year gained his first big role, as Charlie Chan's eldest son, Lee Chan, in Charlie Chan in Paris (1935). He worked so well with Warner Oland, the actor playing Chan, that "Number One Son" became a regular character in the series, alternately helping and distracting 'Pop' Chan in each of his murder cases. Regardless, Lee is depicted as an enthusiastic American youth of some accomplishment, including becoming an Olympic Gold Medalist in 100-metre swimming in Charlie Chan at the Olympics (1937). Luke appeared seven times as Lee Chan opposite Oland's Chan. Keye Luke left the Charlie Chan series in 1938, shortly after Oland died. The unfinished Oland-Luke film Charlie Chan at the Ringside was completed as Mr. Moto's Gamble (1938), with Luke now opposite Peter Lorre.
Unlike some performers who failed to establish themselves beyond a single role, Keye Luke continued to work prolifically in Hollywood, at several studios. Metro-Goldwyn-Mayer cast him in a recurring role in its Dr. Kildare film series, and Monogram Pictures featured him in its Frankie Darro comedies and starred him as Mr. Wong in Phantom of Chinatown. Unlike Boris Karloff, who had preceded him in the Mr. Wong role, Luke played the detective without any exotic touches. Though his Mr. Wong was of Chinese descent and able to speak Chinese, he was otherwise an ordinary American gumshoe, with no trace of a foreign accent, though he was just at home with Chinatown residents or those from China.
RKO Radio Pictures used Luke in its The Falcon series and Mexican Spitfire. Luke also worked at Universal Pictures, where he played two-fisted valet/chauffeur Kato in its Green Hornet serials. Universal mounted a low-budget serial consisting largely of action footage from older films; Keye Luke was hired to match old footage of Sabu in the serial Lost City of the Jungle (1946).