It was very early in the day, about a month after Olga Naundorff's interview with Ivor Tolskoi, and as yet but few people were astir in the city's streets, save those whose avocations called them forth in the pursuance of itinerant trade. Now and then a mounted orderly would ride past, leading an uncaparisoned horse by a long rein, the iron hoofs clattering over the bridge, breaking clear and distinct across the sharp morning air; presently they would disappear under the arched entrance to the barracks, and then, perhaps, a dark, sombre figure would come next, passing swiftly along, with secrecy written on every line of the face and habiliments, to be swallowed up in the frowning doorway of the Imperial Chancellerie; while those he passed on his way drew back instinctively, the women crossing themselves furtively, the men cursing below their breath. For was not this an emissary of that terrible secret police, from whom no one was safe, whose inexorable will was as iron and blood? And who could say who would be the next in turn to feel that cruel hand upon his throat, and know, with helpless certainty, that Petropavlovsk was his eternal destination?
Just as the clocks on tower and steeple struck seven, following the single notes by the ecclesiastical melody of triumph, "How glorious is our Lord in Sion," a young man appeared, walking quickly, and with long, swinging steps, across the Troitski Bridge. He was tall and straight, and though muffled in a long coat and profuse furs, the yellow tint of his close-cut curls beneath his sable cap, his fresh complexion and boyish gaiety of appearance, at once betrayed him to be Ivor Tolskoi.
He was humming lightly as he walked some half-remembered refrain from last night's ball or opera, but as he reached the middle of the bridge he halted, and folding his arms upon the parapet looked out across the marshy delta of the river, to where the Finnish Gulf made an indistinct grey line.
The gloomy fortress frowned heavily upon him, but the sun's shafts were making merry with the Palace windows, and Ivor's thoughts had more just then to do with hope and love, than with treachery and despair. The opera melody died on his lips unfinished and he heeded it not; his fancy had leapt the bounds of prosaic realism and was wandering as it listed in the realms of conjecture.