Time and again we look back on the undulating track of our course, and cannot see the winding entrance now shut out by islands. We look forward; there is a rounded shore. It is a perfect lake. Just as we enter the narrowest and therefore most beautiful passage, the Captain points out a barren cone, well ensconced behind several mainlands of islands. Not so very long hence we shall be passing underneath, but on the other side of that mountainous peak, and so it goes on, one intricate strait succeeding another.
The Inland Sea is a long procession of islands. The Japanese reckon several thousands, but it would be an impossible task to count them, as one by one they unfold themselves to us, as we steam among their fantastic shapes. For there are islands of every imaginable form and size, square and round with sugar-loaf cones, or extinguisher tops with castellated summits, or small and four-sided like a floating haystack. Some are so large that they are like the mainland, and others mere thimble points. Here, there are three tiny islands formed of three little rocks, with a tuft of palms, and joined by a spit of sand; there, a barren heap of sand with a solitary fir tree on the top; or, again, it is a mountain island with deep evergreens.
Hundreds of junks come sailing by, with the pleasant swish of the water against their keels, whilst even here they have screens of paper, covering the wooden trellises of their sides. They are a perpetual delight, these curious whimsically-fashioned vessels, with their ancient prows standing high out of the water, recalling as they do the old prints of the fleet of the Spanish Armada, of which they are exact reproductions. Their one square sail is attached to a single mast, and pulls up and down like a curtain on running strings, and the black patch sewn on it denotes the owner's name.
What makes the Inland Sea so beautiful? The Japanese themselves have no name for it, nor have their poets ever sung its praises. I suppose we must say it is the innumerable islands, though many of these are the reverse of beautiful in themselves. Or is it the great ocean steamer threading so swiftly the successive intricate windings and snake-like passages? No. I think it is perhaps the ceaseless variety. Every minute the scene changes; it is never the same for more than a few seconds, and is often so beautiful that you want to look on both sides at once. Certainly in the course of our many wanderings, we have never been more pleased than with this Inland Sea. All the morning the sky was overcast, and a purple haze rested lightly on the mountains, and the sea was pale green. But in the afternoon, just as we reached the most charming part by the northern course, the sun broke through, and we had the long afternoon shadows, with softened sunlight, on this scene of rare beauty.