‘I should think you might laugh at it if any man could,’ said Laurie, feeling half disposed to laugh himself; but he had too true an eye to attempt to contradict his master.

‘I can’t laugh at failure,’ said Mr. Welby, snatching the sketch he had just exhibited off the easel and thrusting it back into its place against the wall. ‘I had some people here to-day who would have given me a heap of money for that piece of idiocy. What do they care? It would have been a Welby, no matter what else it was. Welby in his drivelling stage, the critics would have called it, and just as good for a specimen of the master as any other. And that is what a man comes to, my dear fellow, after fifty years--of art!’

The Three Brothers Complete — Part 109

‘Yes,’ said Laurie, with the confidence which he had as a young man of the world, and not as an art student; ‘I don’t say anything about the tibia, for you know best; but to put a soul into a smeared bit of canvas is what no Lord Chancellor in the world could do; and you know quite well it would have made any young fellow’s fortune to have painted that pair of eyes.’

The Three Brothers Complete — Part 109

‘Eyes! Stuff!’ said the R.A., but he took back the canvas again and looked at it with a softened expression. ‘The short and long of it is, my dear boy,’ he said, ‘that Art is a hard mistress even to those who serve her all their lives; and you have done no more than flirt with her yet. Is there anything else open to you? You were quite right to come to me for advice. Nobody knows better the shipwrecks that have been made by art. Why, you cannot come into this house, sir, without feeling what an uncertain syren she is. There was poor Severn, as good a fellow as ever breathed. I don’t say he could ever have been Lord Chancellor; but he might have made a very respectable attorney, perhaps, or merchant, or shoemaker, or something; and here he’s gone and died, the fool, at forty, leaving all those children, and not a penny, all along of art.’

The Three Brothers Complete — Part 109

‘But what do you say of the padrona?’ said Laurie, kindling into a little subdued enthusiasm. ‘What else could she have done? What would have become of the children?’

‘They would have gone to the workhouse, sir, and there would have been an end,’ said the Academician, sternly. ‘The padrona, as you call her--and, by Jove! had I been Severn, I’d have shut her up sooner than let a parcel of young fellows talk of her like that. Well, then, Mrs. Severn--as we’ll call her, if you please--the young woman has a pretty talent, and her husband taught her after a fashion how to use it. And her pictures sell--at present. But how long do you think it will be before everybody is stocked with those pretty groups of children? They’re very pretty, I don’t deny; and sometimes there’s just a touch that shows, if she had time, if she had not to work for daily bread, if she wasn’t a woman, and could be properly educated, why that she might do something with it which----. But everything is against her, poor soul! and she’s not wise enough to make hay while the sun shines; and when the sun has done shining, I wish you would tell me what the poor thing is to do?’