I was more thankful than I can tell you that Philip also, in spite of the emotional gamut he had run that day, still had resilience enough to sum the Inspector up very much as I did. There was no bland "Well, Inspector, and to what are we indebted for the pleasure of this visit?" nor anything of that kind. Perhaps that dangerous pistol, X-raying itself so plainly in our minds through the top of the escritoire, had forbidden any such attitude. I now know, as a matter of fact, the life-line on to which he had immediately and instinctively laid hold. Inspector Webster, whatever he had come for, was to be treated exactly as the women were to be treated, and the accident-theory was to hold the field.

The Inspector, after a few conventional remarks about being sorry to trouble us gentlemen for the second time that day and so on, had come down like a hammer straight upon our weakest point. This was the part that Monty Rooke had played in that morning's events. First of all he wanted (with our permission) to put a few words to Mr. Rooke. I think he used the word "permission" in good faith, and not as any kind of a veiled threat.

A Case in Camera — Part 52

I saw Monty moisten his lips. He has since explained the swiftness with which he also was able to come into line and to play up so really nobly as he did. Philip, if you remember, had forbidden him pretty gruffly to say one word about all this to Audrey Cunningham; it is no light matter to dictate to another man what he shall say and what he shall not say to his fiancée; and this it was that saved the situation. If Monty was to be ordered to keep his mouth shut before his fiancée he was jolly well not going to be pumped by an outsider, Police Inspector or no Police Inspector. On such hairs do our actions hang sometimes.

A Case in Camera — Part 52

"Well, sir, to begin with, would you be so kind as to tell me in your own words exactly what you saw on the roof this morning?"

A Case in Camera — Part 52

From the point of view of the things he omitted I can only describe his performance as brilliant. Camouflage was certainly Monty's war-job. Not one single word was there about bullet-holes, cartridge-cases or pistols. Had there been a polar bear or a pterodactyl on the roof it might have been worth mentioning, but a pistol--no.