I pass rapidly over the question of this unmitigated tragedy, of what the loss of my best friend meant for me, and I complete my little history of my patience and my pain by the frank statement of my having, in a postscript to my very first letter to her after the receipt of the hideous news, asked Mrs. Corvick whether her husband had not at least finished the great article on Vereker. Her answer was as prompt as my inquiry: the article, which had been barely begun, was a mere heartbreaking scrap. She explained that Corvick had just settled down to it when he was interrupted by her mother’s death; then, on his return, he had been kept from work by the engrossments into which that calamity plunged them. The opening pages were all that existed; they were striking, they were promising, but they didn’t unveil the idol. That great intellectual feat was obviously to have formed his climax. She said nothing more, nothing to enlighten me as to the state of her own knowledge--the knowledge for the acquisition of which I had conceived her doing prodigious things. This was above all what I wanted to know: had _she_ seen the idol unveiled? Had there been a private ceremony for a palpitating audience of one? For what else but that ceremony had the previous ceremony been enacted? I didn’t like as yet to press her, though when I thought of what had passed between us on the subject in Corvick’s absence her reticence surprised me. It was therefore not till much later, from Meran, that I risked another appeal, risked it in some trepidation, for she continued to tell me nothing. “Did you hear in those few days of your blighted bliss,” I wrote, “what we desired so to hear?” I said “we” as a little hint; and she showed me she could take a little hint. “I heard everything,” she replied, “and I mean to keep it to myself!”