A WRITER of real taste will take great pains in the perfection of his style, to make the reader believe that he took none at all. The writing which appears to be most easy, will be generally found to be least imitable. The most elegant verses are the most easily retained, they fasten themselves on the memory, without its making any effort to preserve them, and we are apt to imagine, that what is remembered with ease, was written without difficulty.
To conclude; Genius is a rare and precious gem, of which few know the worth; it is fitter for the cabinet of the connoisseur, than for the commerce of mankind. Good sense is a bank-bill, convenient for change, negotiable at all times, and current in all places. It knows the value of small things, and considers that an aggregate of them makes up the sum of human affairs. It elevates common concerns into matters of importance, by performing them in the best manner, and at the most suitable season. Good sense carries with it the idea of equality, while Genius is always suspected of a design to impose the burden of superiority; and respect is paid to it with that reluctance which always attends other imposts, the lower orders of mankind generally repining most at demands, by which they are least liable to be affected.
AS it is the character of Genius to penetrate with a lynx's beam into unfathomable abysses and uncreated worlds, and to see what is _not_, so it is the property of good sense to distinguish perfectly, and judge accurately what really _is_. Good sense has not so piercing an eye, but it has as clear a sight: it does not penetrate so deeply, but as far as it _does_ see, it discerns distinctly. Good sense is a judicious mechanic, who can produce beauty and convenience out of suitable means; but Genius (I speak with reverence of the immeasurable distance) bears some remote resemblance to the divine architect, who produced perfection of beauty without any visible materials, _who spake, and it was created_; who said, _Let it be, and it was_.
[8] THE Author begs leave to offer an apology for introducing this Essay, which, she fears, may be thought foreign to her purpose. But she hopes that her earnest desire of exciting a taste for literature in young ladies, (which encouraged her to hazard the following remarks) will not OBSTRUCT her general design, even if it does not actually PROMOTE it.