‘He cares for my roses then,’ said mistaken Mary to herself, with a flush of shy pleasure which restored them to her cheeks. But,--‘Indeed, I am quite well, Ben; and I like to be with godmamma. How strange you should tell me she is not selfish,--I who know her so well!’--was what she said.
‘Perhaps better than I do,’ said Ben. ‘I think women know each other best;’ and he stopped short with sudden gravity, and perhaps just a lingering doubt of what Mary’s opinion might be of another. He meant to ask her, but somehow he was embarrassed about it. It could wait for another time, at least till they had finished their row. And they began to talk of family matters, the familiar talk which is so pleasant in its mild interest;--how old Sargent was having it all his own way with the garden; how Willis the butler was tyrannical to the ladies; the little _mots_ of the house, and its opinions upon things in general. And then they reached the Swan’s Nest, which Mary had made a child’s romance about once like little Ella in Mrs. Browning’s poem. The two knew every water-lily and every flag, and the separate droop of every willow-branch at that fairy nook.
‘I did not think you would have remembered,’ Mary said in her shy delight. And they turned and floated down again with the oars laid silent in the boat, and the sweet water plashing softly with a quiver and ripple of sound and sunshine, so twined together that they seemed but one, about its tiny bows. Even Ben was hushed, and charmed, and softened by the exquisite tender stillness and brightness. Fancy what poor Mary must have been, shut up so long in Mrs. Renton’s shaded room, with one day of delight thus dropped unawares into her life!
They had reached the bank again, and were wandering slowly up the ascent towards the house before the charm was broken. It was just as they turned and stood still by mutual consent,--as everybody did who knew that view,--to look down upon the river from between the two great beeches, which framed it in, and made an ideal picture of the lovely reality. There was an opening below among the trees, and a silvery nook, with an island just appearing, a goodly bank opposite with groups of sleek cattle, and in the distance Cookesley Church with its ivied tower. The view was always perfect just there; a little ‘bit’ of nature’s own composition, in which the trees, and cows, and the very swans, posed themselves by instinct, as the most exquisite art would have posed them. Many a time afterwards Mary Westbury looked at that scene, and felt again the sudden twang of the bowstring and the quiver of the arrow in her heart. That was the metaphor under which she represented it to herself.