Different things suggest early associations to different people. Mrs. Solness, in the "Master Builder," could think only of her dolls when she was telling the story of the fire that left her childless for ever. I have heard of a great lady who cannot see a shell without recalling the scenes of her dead youth before her. Next to the railway bridge which spans the river in my native town, there is nothing which brings back the past to me so palpably and so vividly--I might sometimes say, so poignantly--as the echoes of books. One of my clearest recollections is of a little room, looking out on a sunny and, as it appeared to me then, a beautifully-kept garden, with a small but glistening river in the distance, and the air filled, not only with the songs of birds, but all the intoxicating and inaudible music of youth's dreams and visions. All this phantasmagoria of memory is accompanied by the echo of a melodious, rich voice, rising and falling, in the to me unfamiliar but delightful accent of an educated Englishman: and the story of Ancient Greece--sometimes her poetry with the loves of her gods, the fights, the shouts of battle, the exhortations and the groans of her heroes--rises once more before me. Or, again, I hear the tale told anew of that great last immortal day in the life of Socrates, as the great Philosopher sank to rest in a glory of self-sacrificing submission, serenity, and courage--a story which moves the world to tears and admiration, and will continue so to do as long as it endures. The voice of the teacher and the friend still survives, which had this extraordinary power of giving in the very different tongue of England all the glories of the poetry and the prose of Greece; and other youths, doubtless like me, look out under the spell of its music to that same green garden in far-off Galway, by the side of Corrib's stream.

Of all this I sate musing during some idle moments in the middle of March; for, as I looked at Mr. Gladstone, the whole scene was, by a curious trick of memory and association, brought back to me. Everyone who knew the great old Philosopher of Athens, will remember that he had his familiar _dæmon_, and that he believed himself to have constant communication with him. If I remember rightly, there is a good deal about that _dæmon_ in his "Phædo"--that wonderful story to which I have just alluded, and which lives so vividly in my memory. Sometimes I think that Mr. Gladstone has the same superstition. He has moments--especially if there be the stress of the sheer brutality of obstructive and knavish hostility--when he seems to retire into himself--to transfer himself on the wings of imagination to regions infinitely beyond the reach, as well as the ken, of the land in which the Lowthers, the Chamberlains, and the Bartleys dwell. At such moments he gives one the impression of communing with some spirit within his own breast--a familiar _dæmon_, whose voice, though still and silent to all outside, shouts louder than the roar of faction or the shouts of brutish hate. Then it is that I remember what depths of religious fervour there are in this leader of a fierce democracy, and can imagine that ofttimes his communings may, perchance, be silent prayer.

Sketches In The House (1893) — Part 49