Biswajit Das, (18 August 1936 – 30 December 2004) was an Odia playwright, short story writer, film director and script writer.
Early life
Das was born on 18 August 1936 at Jajpur, a sub-division of the Cuttack in Odisha and was the eldest of four siblings. His father, Subodh Das, a homeopathic doctor by profession, was also a freedom fighter, dramatist and actor, while his mother, Krushna Kamini Devi, was a freedom fighter. During his primary school days Das was profoundly influenced by the traditional open-air theatre form, "jatra", which he used to witness in his village. In 1946, Das was enrolled at the Peary Mohan Academy, Cuttack for his secondary education and thereafter did his graduation from the Ravenshaw College, Cuttack where his contemporaries included Sarat Pujari, Hemant Das and above all, Ananta Mahapatra, who would later on direct and act in several of his plays. Asim Basu, started an amateur dramatic troupe in 1967-68 called Roopakar Natya Group. Biswajit Das and Ananta Mahapatra joined the group and it was decided to offer something new to the audience other than just recreation or amusement. The group gave new thoughts and posed new questions to the intellectual elite that made the plays more vibrant and attractive.
Career
Das started his professional career in 1958 as Public Information Officer in the Information and Public Relations Department of the Government of Odisha. Das served as Public Relations Officer of four Chief Ministers and one Governor of Odisha, including Nandini Sathpathy, Biju Patnaik and Janaki Ballabh Patnaik. He retired from service in 1994 as Additional Director, Information and Public Relations Department.
Works and Plays
Biswajit Das was a powerful, experimental, contemporary Odia dramatist who authored many plays of great prominence. Post 1960 a new phase of modern Odia theatre was created by breaking the conventional style of professional theatre. The Naba Natya Andolan: (New Theater Movement) started with modern experimentation of plays inspired by Ibsen, Brecht, Freud, Bernard Shaw and Sartre. Das entered into the dramatics arena in the early fifties and was one of the pioneers of the New Theatre Movement. He started writing one-act plays in 1952. His first one act play was "Gotte Drushya" which was staged on the Janata Ranga Mancha. The play which portrayed an impoverished middle-class family's life struggle was directed by Ananta Mahapatra and both Das and Mahapatra acted in it. Biswajit Das wrote more than 60 one act plays which include Chhadmabeshi, Tandra, Dahini, Show, Banshi, Byartha Lagna, Trushna, Antara, Chief Guest, Probesh-Prasthan, Kitta, Suryastha, Shilpinka Anupasthitire and Swarga Martya.
The success of his one-act plays led Das to write his first full-fledged play, Banhi (Fire) which was adjudged the best in a competition organized by the State Government on the eve of the centenary celebrations of India's First War of Independence in 1957. At that time he was a student at Ravenshaw College, Cuttack. This encouraged him to write more. Nishipadma (Nocturnal Lotus) in 1967, Nalipana rani kalapana tika (Queen of Hearts and Ace of Spades) in 1968, and Nija pratinidhinka tharu (From Our Correspondent) in 1968, are some of his prominent plays. Though written in traditional style these were novel in presentation. In Nishipadma Das speaks about how difficult situations can bring adversaries together forcing them to shun their differences. Das' adaptation of Gogol's Inspector General in Pratapgarhe didin (Two Days in Pratapgarh) was produced on the platform of the "Srujani" Dramatics Organization in 1961-62 and received great appreciation as a powerful political satire. Suna Sujane (1971) was another highly acclaimed play.
In 1970 Das produced Mrugaya (The Hunt). This was an experimental play of a different taste, analysing artistically the agony and helplessness of hypocritical human beings. Psychoanalysis of the modern mind gave this effort a touch of reality. Das opines that craving for happiness always ends in the agony of contemporary life. In this play he has shown how darkness is the essence of life and the ever-increasing gap between what we aspire for and what we achieve.
Similarly, in Samrat (Emperor) in 1972, an adaptation of Albert Camus' Caligula, Das analyses the mental state of present-day man through the emperor's personality. Paapi and Brutte were adaptations of Bernard Shaw's Devil's Disciple and On the rock, respectively. Other prominent plays include Mahamaya Opera (1999), Om Sri Sri Prajapateya Namah, Mukha, Sei Ten Jon and Nua Janha.