We dwell not on the fact, that the most admirable artists of the drama have been and still are of the Hebrew race: or, that the most entrancing singers, graceful dancers, and exquisite musicians, are sons and daughters of Israel: though this were much. But these brilliant accessories are forgotten in the sublimer claim.
It seems that the only means by which in these modern times we are permitted to develop the beautiful is music. It would appear definitively settled that excellence in the plastic arts is the privilege of the earlier ages of the world. All that is now produced in this respect is mimetic, and, at the best, the skilful adaptation of traditional methods. The creative faculty of modern man seems by an irresistible law at work on the virgin soil of science, daily increasing by its inventions our command over nature, and multiplying the material happiness of man. But the happiness of man is not merely material. Were it not for music, we might in these days say, the beautiful is dead. Music seems to be the only means of creating the beautiful, in which we not only equal, but in all probability greatly excel, the ancients. The music of modern Europe ranks with the transcendent creations of human genius; the poetry, the statues, the temples, of Greece. It produces and represents as they did whatever is most beautiful in the spirit of man and often expresses what is most profound. And who are the great composers, who hereafter will rank with Homer, with Sophocles, with Praxiteles, or with Phidias? They are the descendants of those Arabian tribes who conquered Canaan, and who by favour of the Most High have done more with less means even than the Athenians.
Forty years ago--not a longer period than the children of Israel were wandering in the desert--the two most dishonoured races in Europe were the Attic and the Hebrew, and they were the two races that had done most for mankind. Their fortunes had some similarity: their countries were the two smallest in the world, equally barren and equally famous; they both divided themselves into tribes: both built a most famous temple on an acropolis; and both produced a literature which all European nations have accepted with reverence and admiration. Athens has been sacked oftener than Jerusalem, and oftener razed to the ground; but the Athenians have escaped expatriation, which is purely an Oriental custom. The sufferings of the Jews, however, have been infinitely more prolonged and varied than those of the Athenians. The Greek nevertheless appears exhausted. The creative genius of Israel, on the contrary, never shone so bright; and when the Russian, the Frenchman, and the Anglo-Saxon, amid applauding theatres or the choral voices of solemn temples, yield themselves to the full spell of a Mozart or a Mendelssohn, it seems difficult to comprehend how these races can reconcile it to their hearts to persecute a Jew.