Stephen Joseph Cannell (; February 5, 1941 – September 30, 2010) was an American television producer, writer, novelist, occasional actor, and founder of Cannell Entertainment (formerly Stephen J. Cannell Productions) and the Cannell Studios.

After starting his career as a television screenwriter, Cannell created or co-created several dozen successful TV series from the 1970s to the 1990s, often with his creative partner Frank Lupo. Cannell's creations include The Rockford Files, The A-Team, Renegade, The Greatest American Hero, 21 Jump Street, and The Commish. He also wrote novels, notably the Shane Scully mystery series.

Stephen J. Cannell

Early life

Cannell was born in Los Angeles and raised in nearby Pasadena. He was the son of Carolyn (née Baker) and Joseph Knapp Cannell. Joseph owned the highly successful interior decorating company Cannell and Chaffin. Cannell struggled with dyslexia in school, but did graduate from the University of Oregon in 1964 with a Bachelor of Science degree in journalism. At UO, he joined the Sigma Chi fraternity.

Stephen J. Cannell

The 2009 documentary Dislecksia: The Movie features an interview with Cannell, in which he discusses his struggles with dyslexia and how he managed to be such a successful writer despite his difficulties reading. During the interview, he mentions how he used to hire typists to overcome his spelling problem, as he refers to his dyslexia, but also describes how he feels his condition has enriched his life.

Stephen J. Cannell

Career

After college Cannell spent four years working with the family business before selling his first script to the Universal series It Takes a Thief in 1968. He was quickly hired by Universal Television, the television production branch of Universal Studios and was soon freelance writing for such other crime shows as Ironside (1970–1971) and Columbo (1973).

In 1971, he received a telephone call from friend Herman Saunders who was the producer on Jack Webb's police series Adam-12. They needed a script right away and Saunders asked if Cannell would be interested in writing it. He delivered what they wanted in one day, his first full-time gig, and was soon hired as story editor of the series, then in its fourth season, until 1973.

For Universal Television, Cannell created or co-created Chase (1973–1974), The Rockford Files (1974–1980), Baretta (1975–1978), City of Angels (1976), and Baa Baa Black Sheep (1976–1978). He won the Primetime Emmy Award for Outstanding Drama Series in 1978 for The Rockford Files.

In a 2002 interview, Cannell described his early financial arrangements, saying that at Universal,

In 1979, Cannell left Universal and formed his own company, Stephen J. Cannell Productions. For the first few years, Cannell's office was located on the lot at Paramount Studios in Hollywood, though his earlier work at Universal was still distributed by MCA-Universal. His first series under his new banner was Tenspeed and Brown Shoe (1980), and was soon followed by The Greatest American Hero (1981–1983), The Quest (1982), The A-Team (1983–1987), Hardcastle and McCormick (1983–1986), Riptide (1984–1986), and Hunter (1984–1991). Cannell's offices relocated to larger facilities on Hollywood Boulevard in 1983.

In 1986, Cannell was co-founder, along with Tri-Star Pictures and Witt/Thomas Productions, of the syndication distributor TeleVentures. In late 1988, Witt/Thomas Productions exited the TeleVentures venture and entered a distribution deal with Walt Disney Television, selling its share to Cannell. On July 11, 1990, both Tri-Star and Cannell dissolved the TeleVentures joint venture, and Tri-Star sold its shares to Stephen J. Cannell Productions. TeleVentures thus became Cannell Distribution Co.

Also in 1986 the favorable exchange rate between the US and Canadian dollars being a win/win for US producers, Cannell decided to shoot his new series Stingray (1985–1987) in Toronto. However, so many producers were shooting in Toronto that no crews were available to staff any additional productions. Consequently, Cannell shot the first seven episodes of Stingrays second season in Calgary with the remaining eight episodes being shot in Vancouver. His first series to entirely be shot in Vancouver was 21 Jump Street (1987–1991), the highest-rated show of the new Fox network's first season.