The work of Mr. Agassiz, if we may judge it by the portion now before us, has a right to challenge such a matured opinion, and to wait for it. Not the less does a certain duty belong to us as literary journalists with reference to these stately volumes, which are in the hands of thousands, learned and unlearned, and of which there are scores of thousands waiting to hear. Our duty we consider to be four-fold: first, that of recognition in terms of fitting courtesy; secondly, of analysis for the general reader; thirdly, of accentuation, so to speak, of what seems most widely applicable or interesting; and lastly, of making such comments as so pregnant a text may suggest.
And first, of recognition. Here are the fruits of ten years of patient labor, taken out of the heart of life, in the age of vigor, which is that of ambition,--to use the phrase of another great observer,--by a man of large endowments and of vast knowledge, assisted by skilful collaborators, by finished artists, by the counsels and liberality of the learned few, and the generous countenance of the intelligent many. Before analysis, before criticism, there should be uttered a welcome; not grudging, not envious of an overshadowing reputation, not over-curious in searching for qualifications to abate its warmth, not carefully taming down its enthusiasm to tepid formalisms; but full-souled and free-spoken, such as all noble works and deeds should claim.
The learned men of past centuries have left us an example of this treatment of authors, in those gratulatory verses with which they were wont to hail every considerable literary or scientific performance. They knew human nature well. They knew that the author, when he quenches the lamp over which he has grown haggard and pale, and steps from his cell into daylight and the chill outside air, longs, longs unutterably, for kind words, and the cheering fellowship of kindred souls; and with instinctive grace they chose the poetical form of expression, simply because this alone gives full license to the lips of friendship.
This old folio which stands by us is not precious only because it contains the quaint wisdom and manifold experience of Ambroise Paré, mingled with his credulous gossip, and again sweetened by his simple reverence; not precious alone because it contains the noblest words ever uttered by one of his profession,--_Ie le pensay et Dieu le guarit_; but also because PIERRE RONSARD, the "Poet of France," has left his deathless name thrice inscribed in its earlier pages at the foot of tributes to its author.