Edward Arundel felt the barrenness of his life, now that he had taken the only revenge which was possible for him upon the man who had persecuted his wife. _That_ had been a rapturous but brief enjoyment. It was over. He could do no more to the man; since there was no lower depth of humiliation--in these later days, when pillories and whipping-posts and stocks are exploded from our market-places--to which a degraded creature could descend. No; there was no more to be done. It was useless to stop in Lincolnshire. The sad suggestion of the little slipper found by the water-side was but too true. Paul Marchmont had not murdered his helpless cousin; he had only tortured her to death. He was quite safe from the law of the land, which, being of a positive and arbitrary nature, takes no cognisance of indefinable offences. This most infamous man was safe; and was free to enjoy his ill-gotten grandeur--if he could take much pleasure in it, after the scene upon the stone terrace.

The only joy that had been left for Edward Arundel after his retirement from the East India Company's service was this fierce delight of vengeance. He had drained the intoxicating cup to the dregs, and had been drunken at first in the sense of his triumph. But he was sober now; and he paced up and down the neglected garden beneath a chill October sky, crunching the fallen leaves under his feet, with his arms folded and his head bent, thinking of the barren future. It was all bare,--a blank stretch of desert land, with no city in the distance; no purple domes or airy minarets on the horizon. It was in the very nature of this young man to be a soldier; and he was nothing if not a soldier. He could never remember having had any other aspiration than that eager thirst for military glory. Before he knew the meaning of the word "war," in his very infancy, the sound of a trumpet or the sight of a waving banner, a glittering weapon, a sentinel's scarlet coat, had moved him to a kind of rapture. The unvarnished schoolroom records of Greek and Roman warfare had been as delightful to him as the finest passages of a Macaulay or a Froude, a Thiers or Lamartine. He was a soldier by the inspiration of Heaven, as all great soldiers are. He had never known any other ambition, or dreamed any other dream. Other lads had talked of the bar, and the senate, and _their_ glories. Bah! how cold and tame they seemed! What was the glory of a parliamentary triumph, in which words were the only weapons wielded by the combatants, compared with a hand-to-hand struggle, ankle deep in the bloody mire of a crowded trench, or a cavalry charge, before which a phalanx of fierce Affghans fled like frightened sheep upon a moor! Edward Arundel was a soldier, like the Duke of Wellington or Sir Colin Campbell,--one writes the old romantic name involuntarily, because one loves it best,--or Othello. The Moor's first lamentation when he believes that Desdemona is false, and his life is broken, is that sublime farewell to all the glories of the battle-field. It was almost the same with Edward Arundel. The loss of his wife and of his captaincy were blent and mingled in his mind and he could only bewail the one great loss which left life most desolate.

John Marchmont's Legacy, Volume III (of 3) — Part 14