The wife's pent-up feelings now gave way. The utter indifference of this aristocratic father aroused her indignation to such a pitch that she became reckless of the consequences. They wanted her to desert him, just as they deserted him, but she wouldn't. She would show them the kind of woman she was.
"So!" she cried in an outburst of mingled anger and grief. "So his family must desert him, and his wife must leave him! The poor boy must stand absolutely alone in the world, and face a trial for his life! Is that your idea?"
The banker made no reply. Snapping her fingers, she went on:
"Well, it isn't mine, Mr. Jeffries! I won't consent to a divorce! I won't leave America! And I'll see him just as often as I can, even if I have to sit in the Tombs prison all day. As for his defense, I'll find some one. I'll go to Judge Brewster again, and if he still refuses, I'll go to some one else. There must be some good, big-hearted lawyer in this great city who'll take up his case."
Trembling with emotion she readjusted her veil and with her handkerchief dried her tear-stained face. Going toward the door, she said:
"You needn't trouble yourself any more, Mr. Jeffries. We shan't need your help. Thank you very much for the interview. It was very kind of you to listen so patiently. Good afternoon, sir."
Before the astonished banker could stop her, she had thrown back the tapestry and disappeared through the door.
In the very heart of Manhattan, right in the centre of the city's most congested district, an imposing edifice of gray stone, mediæval in its style of architecture, towered high above all the surrounding dingy offices and squalid tenements. Its massive construction, steep walls, pointed turrets, raised parapets and long, narrow, slit-like windows, heavily barred, gave it the aspect of a feudal fortress incongruously set down plumb in the midst of twentieth-century New York. The dull roar of Broadway hummed a couple of blocks away; in the distance loomed the lofty, graceful spans of Brooklyn Bridge, jammed with its opposing streams of busy inter-urban traffic. The adjacent streets were filled with the din of hurrying crowds, the rattle of vehicles, the cries of vendors, the clang of street cars, the ugh! ugh! of speeding automobiles. The active, pulsating life of the metropolis surged like a rising flood about the tall gray walls, yet there was no response within. Grim, silent, sinister, the City Prison, popularly known as "the Tombs," seemed to have nothing in common with the daily activities of the big town in which, notwithstanding, it unhappily played an important part.