“You are quite, quite certain you are telling me the truth, Phoebe?” said Nan at last.
“Certain sure, miss. Didn’t I live through it all when poor Susan Fagan lost her mother? This is a dress for all the world the same as Susan appeared in at the funeral.”
After two or three days’ hard work the dress was finished. It was certainly not stylish to look at. Then there came an awful time when carriages drove up to the house, and all that was left of poor Mrs. Esterleigh was borne away to her long home. Nan could never afterwards quite recall that dreadful day. Mrs. Richmond arrived early. She had borne with Nan’s wish to stay locked into the parlour with what patience she could; but on the day of the funeral she insisted on the door being opened, and when Nan appeared before her in her lugubrious dress, badly made, with no fit whatever, the good woman gave a shocked exclamation.
“My dear child,” she said, “I have got a suitable dress for you. I found a frock of yours upstairs and had it measured. Take off that awful thing.”
“This awful thing!” said Nan. “I bought it with my own money. I won’t wear anything—anything else. And Sophia Maria is in mourning too,” she added; and she pointed to her doll, which was attired in crape from head to foot.
“Let her wear it,” said a voice behind her; and raising her eyes, Nan saw the kindly face of Mr. Pryor looking at her.
He had always been a strange sort of character, and it seemed now that in one glance he understood the child; he held out his hand and drew her towards him.
“You bought this out of your own money?” he asked,
Tears trembled on her eyelashes; she raised her eyes and looked full at Mr. Pryor.
“And there is a lot of crape,” she said. “Everybody must know that she was a very near relation.”
“Phoebe and I made it ourselves; and Maria is in black too.” She touched the doll with her finger.
“Then you shall go to the funeral in that dress,” said Mr. Pryor. “I take it upon me to say that your mother would wish it, and that is enough.”
So Nan attended her mother’s funeral in the dress she had made herself, and stood close to the grave, and tried vaguely to realise what was taking place. But what chiefly impressed her was the depth of the shabby crape on her little skirt, and the fact that she had bought her mourning out of her very own savings, and that the doll, Sophia Maria, from whom she would not be parted for a single moment, was also in mourning.