[1] Compare the Chica of South America, the Fandango of Spain, and the Angrismene or la Fachée of modern Greece. See also _Romaunt de la rose_, v. 776.
[2] The Greek [Greek: karpaia] represented the surprise by robbers of a warrior ploughing a field. The gymnopaedic dances imitated the sterner sports of the palaestra.
[3] The Greek Lenaea and Dionysia had a distinct reference to the seasons.
[4] The Pantomimus was an outgrowth from the _canticum_ or choral singing of the older comedies and _fabulae Atellanae_.
[5] "My heart flew to thy breast. Thou didst cut its wings, so that it remained there. And now it has waxed daring, and will stay with thee for evermore."
[6] "A star is lost and appears not in the sky; in thy face it has set itself; on thy brow it shines."
DANCOURT, FLORENT CARTON (1661-1725), French dramatist and actor, was born at Fontainebleau on the 1st of November 1661. He belonged to a family of rank, and his parents entrusted his education to Père de la Rue, a Jesuit, who made earnest efforts to induce him to join the order. But he had no religious vocation and proceeded to study law. He practised at the bar for some time, but his marriage to the daughter of the comedian François Lenoir de la Thorillière led him to become an actor, and in 1685, in spite of the strong opposition of his family, he appeared at the Théâtre Français. His gifts as a comedian gave him immediate and marked success, both with the public and with his fellow actors. He was the spokesman of his company on occasions of state, and in this capacity he frequently appeared before Louis XIV., who treated him with great favour. One of his most famous impersonations was Alceste in the _Misanthrope_ of Molière. His first play, _Le Notaire obligeant_, produced in 1685, was well received. _La Désolation des joueuses_ (1687) was still more successful. _Le Chevalier à la mode_ (1687) is generally regarded as his best work, though his claim to original authorship in this and some other cases has been disputed. In _Le Chevalier à la mode_ appears the _bourgeoise_ infatuated with the desire to be an aristocrat. The type is developed in _Les Bourgeoises à la mode_ (1692) and _Les Bourgeoises de qualité_ (1700). Dancourt was a prolific author, and produced some sixty plays in all. Some years before his death he terminated his career both as an actor and as an author by retiring to his château at Courcelles le Roi, in Berry, where he employed himself in making a poetical translation of the Psalms and in writing a sacred tragedy. He died on the 7th of December 1725. The plays of Dancourt are faithful descriptions of the manners of the time, and as such have real historical value. The characters are drawn with a realistic touch that led to his being styled by Charles Palissot the Teniers of comedy. He is very successful in his delineation of low life, and especially of the peasantry. The dialogue is sparkling, witty and natural. Many of the incidents of his plots were derived from actual occurrences in the "fast" and scandalous life of the period, and several of his characters were drawn from well-known personages of the day. Most of the plays incline to the type of farce rather than of pure comedy. Voltaire defined his talent in the words: "Ce que Regnard était à l'égard de Molière dans la haute comédie, le comédien Dancourt l'était dans la farce."