Gordon Haskell (27 April 1946 – 15 October 2020) was an English musician and songwriter. A pop, rock, jazz, country and blues vocalist, guitarist, and bassist, he was a school friend of King Crimson guitarist Robert Fripp. The two first worked together in Fripp's mid-1960s teenage group the League of Gentlemen (not to be confused with Fripp's later new wave band).
Haskell gained recognition as bass player for the Fleur de Lys in 1966, and subsequently spent a short period in King Crimson. He sang on the album In the Wake of Poseidon (1970), and sang and played bass on Lizard (1971). After leaving King Crimson, Haskell continued as a solo musician, reaching international fame in 2001 with his hit "How Wonderful You Are" and the platinum-selling album Harry's Bar.
1960s
During the late 1960s Haskell moved from Dorset to London (for a brief period, sharing a flat with Jimi Hendrix). While playing bass in the psychedelic pop band the Fleur De Lys, who were hired by Atlantic Records as a full-time session band, Haskell recorded a few singles with the group to minimal success but achieving a No 1 and No 3 in South Africa and Australia as a songwriter with his song "Lazy Life". During the two years at Atlantic he worked with Isaac Hayes and David Porter (who wrote many songs for the Atlantic stable, including Sam and Dave) and worked with a variety of producers namely Glyn Johns, Donnie Elbert, Arif Mardin and George Martin. His debut solo album Sail in My Boat was recorded for the U.K. division of CBS Records in 1969 but the album did not chart. A song from the album, Zanzibar, was covered by Wanda Arletti, and reached No 1 on the singles chart in South Africa.
1970s
When King Crimson parted company with original singer Greg Lake, Haskell was asked to be the bassist and vocalist in the transitional King Crimson line-up of 1970. He appeared on the albums In the Wake of Poseidon (although just for one song, Cadence and Cascade) and Lizard. However, Haskell's preference for Nat King Cole and Ray Charles songs led to frustration in Fripp's band, and his folk and blues-oriented interests were in conflict with Crimson's more complicated progressive rock musical style. Haskell left the band acrimoniously following the recording of Lizard, during rehearsals for planned live work. He objected to his vocal contributions being manipulated, using distortion and by being sped up, feeling it would damage his reputation.
Haskell subsequently auditioned for Atlantic Records head Ahmet Ertegün, who had signed Ray Charles and Aretha Franklin which led to Arif Mardin producing Haskell's 1971 solo album It Is and It Isn’t. The album has guest appearances from top session musicians, notably John Wetton, who would join King Crimson in late 1972. Again, the album was not a commercial success. As the 1970s progressed, Haskell found himself playing supporting stints with Cliff Richard and Tim Hardin. For a short time in 1974 he rehearsed with the group Stackridge. Though Haskell decided not to join the group, Stackridge did record a song from It Is and It Isn’t. Originally called "Worms", the version on the 1975 album Extravaganza was re-titled, "No One's More Important Than the Earthworm".
1980s and 1990s
Haskell arrived at the doorstep of the 1980s deeply in debt and dissatisfied with the music business. He left for Denmark in 1984, playing "seven nights a week to drunks in bars." During this time his voice became a lot stronger. His debt eventually eliminated, he returned to England and continued playing solo and small-band gigs in tiny pubs and clubs. "I was trapped," Haskell recalls, "but the time wasn't wasted. I was practising. I was in the wilderness for a long time. But I met a lot of really interesting characters in bars, and that's where my songs tend to come from. I was self-contained, self-supporting, and I didn't really have anything to do with the recording industry."
His single "Almost Certainly" Covered by Judy Boucher reached number one in South Africa in 1990. An album called Hambledon Hill followed. It did well on airplay with BBC Radio 1's DJ, Bob Harris saying he "loved it" and become record of the week in BBC radio Scotland . A single of the same name was planned but the distributor went bankrupt and the deal fell through. However, in 1994, the Voiceprint record label re-issued the album.