(_γγ_) _Thirdly_, we may say that the _nose_ forms the passage and connection between the lower and upper portion of the face, that is to say, between the purely contemplative and spiritual forehead and the practical organ of nutrition; and if we take into consideration its natural function as the organ of smell it is rightly placed in this intermediate position between an attitude to the external world which is either wholly practical or ideal. No doubt the sense of smell in such a position is still associated with an animal want; it is intimately connected with the taste; and for this reason, in the case of the mere animal, the snout is at the service of the mouth and the organ of nourishment. But the sense of smell is by itself as a fact no actual consumption of objects, as eating and tasting are; it merely accepts the result of the process in which the objects pass into the atmosphere and its invisible and mysterious medium of dissolution. Assuming, then, that the passage from forehead and nose is of such a formation that the forehead viewed independently arches forward, and yet in relation to the nose retreats, whereas this latter organ on its part, in proximity to the forehead, is withdrawn back and only projects beyond this point, we see that both these portions of the face--that is, the contemplative part, the forehead, and that which suggests a practical use, with which we may associate the mouth, form an emphatic contrast, in virtue of which the nose, as belonging in a sense to both extremes, appertains equally to the practical aims[158] of the mouth. Furthermore, the forehead, in its isolated position, receives the appearance of severity and exclusive spiritual concentration in its contrast to the eloquent sympathy of the mouth, which is primarily the organ of nutritive support, and at the same time accepts the nasal organ into its service as its instrument in creating the natural want by virtue of its smell, and thereby declares its direct relation to the material side. And in close connection with this reciprocity is the contingent character of the form to the indeterminable modifications of which both nose and forehead may be carried. The particular type of the forehead's arch, the nature of its projection or retreat, loses its secure lines of definition, and the nose can be fiat or fine, drooping, arched, more acutely flattened and a snub.
Design Brief
The Philosophy of Fine Art, volume 3 (of 4) — Part 107
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