Jaime took leave of him, saying that he might continue his poetic occupation, but a few steps away he stopped, turning his head at not hearing the tambourine again. The troubador was going down the hill, fearful of annoying the señor with his music, and seeking another solitary retreat.

Febrer reached the tower. All that which from a distance seemed to belong to a lower story was massive foundation. The door was on a level with the elevated windows; thus the guards in early days could avoid being surprised by the pirates. For ingress and egress they made use of a ladder which they drew up after them at night. Jaime had ordered made a rude wooden ladder by which to reach his room, but he never drew it in. The tower, constructed of sandstone, was somewhat eroded on its exterior by the winds from the sea. Many stones had fallen from their places, and these hollows simulated steps for scaling the tower.

The Dead Command — Part 100

The hermit ascended to his habitation. It was a round room with no other opening than the door and the window, which almost seemed to be tunnels, so great was the thickness of the walls. These, on the inside, were carefully whitewashed with the gleaming lime of Iviza, giving a transparency and milky softness to all the buildings, and to the modest little country houses the appearance of elegant mansions. Only on the ceiling, broken by a skylight, which told of the ancient ladder-way leading to the flat-roof above, did there remain any trace of the soot of the fires which used to be lighted in former days.

The Dead Command — Part 100

Rough boards, crudely fastened to wooden cross-pieces, which served to reinforce them, were used for door, window-shutter, and ceiling trap-door. There was not a pane of glass in the tower. It was still summer, and Febrer, undecided, and, in truth, indifferent as to his future, put off the details of actually settling down until some other time.

The Dead Command — Part 100

This retreat seemed to him romantic and pleasing, in spite of its crudity. He detected in it the skilful hand of Pèp and the grace of Margalida. He noticed the whiteness of the walls, the neatness of three chairs and of the deal table, all scrubbed by the daughter of his former tenant. Fish nets were draped upon the walls like tapestry; beyond hung the gun and a bag of cartridges. Long, slender sea-shells with the brown translucency of the tortoise were arranged in the form of fans. They were the gift of Tío Ventolera, as were two enormous periwinkles on the table, white, with erect points, and the interior of a moist rose-color, like feminine flesh. Near the window his mattress lay rolled up with his pillow and sheets--a rustic bed which Margalida or her mother made every afternoon.