The trading station had grown considerably in the twenty years that had passed. There were many new houses in the place. And the wanderer looked in vain for the turf huts that had formed the outskirts of the settlement when he knew it. They were gone, and modern buildings stood where they had been.
He limped from door to door, bearing with him each time blessings for Guest the One-eyed and curses for the name of Sera Ketill. At the last house, he asked:
There was still a glimmer of hope in his heart that there, among the poorest, he might find one single heart to bless Ketill the priest for what he had given.
“There are no poor here now,” was the reply.
“There is a poor widow living out at Bolli, a lonely place at the foot of the hills. But ’tis her own fault that she lives as poorly as she does. She might have taken the help that was offered her. But it was the Devil Priest’s money, and she would not take it.”
“Sera Ketill was his name. But we call him the Devil Priest.”
On his way out from the trading station, he passed by a shed from which came the sound of voices within. The door stood half-open, and, looking in, he saw in the half-dark four strange figures—three men and a woman, ragged and wild-looking; evidently these were vagabonds like himself.
The woman was shouting a ribald song; one of the men sat crouched on the floor rocking with laughter. The other two men were fighting, the stronger chuckling at each successful blow, while the other fought in silence, waiting his chance.
The man on the floor called out to the others with an oath to come and listen. “Give over, you fools, and come and hear. ’Tis a new song—one of Gudda’s best. Ay, Gudda, she can make a song, if she’s not as young as she used to be....” And he came shambling over towards them.
He was a tall fellow, bigger than either of his two companions, still young, with reddish-yellow hair and a pasty face. The two sprang away as he came up.
“Mind your own business, Luse-Grimur!” cried the one nearest. This was a dark man of slender build, known as the Bishop, from a way he had of mimicking the tones of a priest, and repeating fragments of an indecent parody of the marriage service whenever a couple came together. “Keep away, and don’t bring your lice near me.”