This is the gate, and this the hospitality, of the greatest empire that, etc.
“Certainly, sir!” says the Punch and Judy man genially, as who should say: “God bless my soul! Aren’t you in the country where anyone can choose the portmanteau that suits him out of a luggage van?”
Now that is England! In France, Germany, Italy, there would have been a spacious golden _café_ and all the drinks on earth, but one could never have got that cup out of the _café_ without at least a stamped declaration signed by two commissioners of police and countersigned by a Consul. One makes a line of milk along the reef, and sits blowing and sipping what is left of the milk in the train. And when the train is ready to depart one demands of a porter:
And he planks it down on the platform next a pillar, and leaves it. And off one goes. The adventures of that thick mug are a beautiful demonstration that the new England contains a lot of the old. It will ultimately reach the Punch and Judy show once more (not broken--perhaps cracked); not, however, by rules and regulations; but higgledy-piggledy, by mutual aid and good nature and good will. He tranquil; it will regain its counter.
The fringe of villas, each primly asleep in its starlit garden, which borders the island and divides the hopfields from the Atlantic, is much wider than it used to be. But in the fields time has stood still.. . . Now, one has left the sea and the storm and the reef, and already one is forgetting that the island is an island.. . . Warmth gradually creeps up from the hot-water bottles to one’s heart and eyes, and sleep comes as the train scurries into the empire.... A loud reverberation, and one wakes up in a vast cavern, dimly lit, and sparsely peopled by a few brass-buttoned beings that have the air of dwarfs under its high, invisible roof. They give it a name, and call it Charing Cross, and one remembers that, since one last saw it, it fell down and demolished a theatre. Everything is shuttered in the cavern. Nothing to eat or to drink, or to read, but shutters. And shutters are so cold, and caverns so draughty.
“Where can I get something to eat?” one demands.
“Eat, sir?” A staggered pause, and the porter looks at one as if one were Oliver Twist. “There’s the hotels, sir,” he says, finally.