To these notes of personal traits it only remains to add a list of the offices of dignity and honor which have been held by Mr. Whittier. Besides his various editorial, secretarial, and legislative positions, he served as Overseer of Harvard College from 1858 to 1863. He was a member of the Electoral College in 1860 and in 1864. The degree of Master of Arts was bestowed upon him by Harvard College in 1860, and the same degree by Haverford College in the same year. He was elected a resident member of the American Philosophical Society in 1864, but never accepted the honor, notwithstanding the fact that his name appeared for two or three years on the Society's roll. In 1871 he was made a Fellow of the American Academy of Arts and Sciences.
_"Not by the page word-painted Let life be banned or sainted: Deeper than written scroll The colors of the soul."_
To analyze and describe the _poetry_ of Whittier is a comparatively easy task, for it is all essentially lyrical or descriptive, and is resolvable into a few simple elements. His poetry is not profound; but it is sweet and melodious,--now flashing with the fire of freedom and choked with passionate indignation, and now purling and rippling through the tranquil meadows of legend and song. Such a poem as Emerson's "Sphinx," groaning with its weight of mystical meaning, Whittier never wrote, nor could write. Neither is he dramatic, nor skilled in the subtile harmonies of rhythm and metre. As an artist he is easily comprehensible. But to fathom the _man_,--to drop one's plummet into the infinite depths of the human mind, to peer about with one's little candle among the dusty phantoms and spent forces of the past, and through the endlessly crossing and interblending meshes trace confidently up all the greater and the finer hereditary influences that have moulded a human character,--and then discover and weigh the post-natal forces that have acted upon that character through a long and varied life,--this is a very difficult task, and demands in him who would undertake it a union of historic imagination with caution and modesty.
The moral in Whittier predominates over the æsthetic, the reformer over the artist. "I am a man, and I feel that I am above all else a man." What is the great central element in our poet's character, if it is not that deep, never-smouldering moral fervor, that unquenchable love of freedom, that--