THE CAPE AND BAY OF ST. LOUIS.—THE ICEBERG.—CARIBOO ISLAND.—BATTLE HARBOR AND ISLAND.—THE ANCHORAGE.—THE MISSIONARIES.

FIVE o’clock, P. M. What a pleasing contrast! We have been tossing nearly all day upon a rough, inclement ocean, and are now on the sunny, smooth waters of the bay, gliding westward, with Cape St. Louis close upon our right. We have sailed from winter into summer, almost as suddenly as we come out of the fog, at times—bursting out of it into the clear air, as an eagle breaks out of a cloud. It is fairly a luxury to bask in this delicious sunshine, and smell the mingled perfume of flowers and the musky spruce. Mr. Hutchinson is filled with delight to find himself once more on this beautiful bay. The rocky hill-country along the western shores, nine or ten miles distant, is not the mainland, he tells us, but islands, separated from the mainland, and from each other, by narrow waters, occasionally expanding into lakes of great depth, and extending more than forty miles from the sea. Were these savage hills and cliffs beautified with verdure, and sprinkled with villages and dwellings, this would class among the finest bays of the world. Across it to the south, some seven miles, and partly out to sea, lies a cluster of picturesque islands, where is Battle Harbor, the home of the missionaries, and the principal port on the lengthy coast of Labrador.

After Icebergs with a Painter — Part 64

A fine iceberg, of the fashion of a sea-shell, broken open to the afternoon sun, and unfolding great beauty, lies in the middle of the bay. We are sailing past it, on our passage to the harbor, just near enough for a good view. It gleams in the warm sun like highly-burnished steel, changing, as we pass it, into many complexions—changeable silks and the rarest china. The superlatives are the words that one involuntarily calls to his aid in the presence of an iceberg. From this bright creation floating in the purple water, I look up to the bright clouds floating in the blue air, and easily discover likenesses in their features, ways and colors.

After Icebergs with a Painter — Part 64

The coast of Labrador is the edge of a vast solitude of rocky hills, split and blasted by the frosts, and beaten by the waves of the Atlantic, for unknown ages. Every form into which rocks can be washed and broken, is visible along its almost interminable shores. A grand headland, yellow, brown and black, in its horrid nakedness, is ever in sight, one to the north of you, one to the south. Here and there upon them are stripes and patches of pale green—mosses, lean grasses, and dwarf shrubbery. Occasionally, miles of precipice front the sea, in which the fancy may roughly shape all the structures of human art, castles, palaces and temples. Imagine an entire side of Broadway piled up solidly, one, two, three hundred feet in height, often more, and exposed to the charge of the great Atlantic rollers, rushing into the churches, halls, and spacious buildings, thundering through the doorways, dashing in at the windows, sweeping up the lofty fronts, twisting the very cornices with snowy spray, falling back in bright green scrolls and cascades of silvery foam. And yet, all this imagined, can never reach the sentiment of these precipices.

After Icebergs with a Painter — Part 64