Sebastiano del Piombo, 101: a walk in Rome, 121; letters from, 185, 187, 188, 205; portrait of Doria, 191; letter to, 197; prepares the wall for the Day of Judgment, 217, 231, 238, 253, note; his genial humour, 264; designs for, 265, 292, 314, 327
Sibyls, 42, 45, 164, 166-170, 176-178; by Raphael, 177
Signorelli: Luca, pictures in the Uffizi, 123; and Sistine Chapel, 166; slight influence of, 123, 124
Silvester: San, at Monte Cavallo, 271-327
Slaves: the two, marble statues, given to Strozzi, 89, 129, 116; 182, 216, 225, 227
Soderini: Pier, Gonfaloniere, 28, 36, 37, 96, 97; his criticism of the David, 118, 132
Spedalingo: head of the hospital of S.M. Nuova, 157, 181, 182
Spina: Giovanni, to pay a provision to the master, 192; letter to, 194
Staccoli: Hieronimo, his letter to the Duke of Camerino, 217
Stanze: of the Vatican, 263, 270, 271, 292
Strozzi: Filippo, a sword hilt given to, 136
Strozzi: Giovan Battista, verses on the Night, 218
Strozzi Palace: the Hercules there until the siege, 105
Strozzi: Roberto, Slaves given to, 88, 89, 227
Stufa: Luigi della, a colossus to spoil the front of his palace, 198, 199
Sword-hilt: designed for Aldobrandini but given to Strozzi, 186
Tiberio Calcagni, 249; letter to Lionardo, 257, 258
Tomb of Julius: first design, 30-33, 128, 129; description, 67; moneys received for, 69, 183, 186; the master's desire to complete it, 191; and trouble concerning it, 194, 205, 207
Topolino: Domenico Fancelli, letter to, 190; 264
Torrigiano: strikes the master, 91; his history, 92; a St. Francis by, 114
Tromboncini: Bartolomeo, music to the madrigals, 207
Turk: The Grand, invites the master, 37, 78
Uffizi: Florence, the painted tondo, 29, 122; the dancing Faun, 175; Signorelli's pictures 123; drawings, 193
Urbino: Francesco Maria, Duke of, finds fault with the slow progress of the Tomb of Julius II., 55, 62-64; Paul III. arranges a new contract, 67, 69, 207; final contract, 225, 226, 290
Urbino: the master thinks of retiring to, 66
Valori: Baccio, the Apollo presented to, 205, 207
Valentino: Duke, sends the god of Love to Mantua, 22, 23
Varchi: Lectures and criticisms on the sonnets, 86; oration, 262
Vasari: Giorgio, his famous book, 92, 97, 98; preserves the broken fragments of the arm of the David, 117; the story of the Gonfaloniere, 118; the St. Matthew, 120; the tondi, 121, 122; the Cartoon, 126; seventeen statues for the Tomb of Julius completed, 130; a list of assistants, 150, 151; his fable of the vault, 158, 163; the Apollo, 204; he completes the works at San Lorenzo, 209, 211; how Sebastiano prepared the wall, 217; the master's fall, 218; the Day of Judgment, 222; the Cappella Paolino, 232; he sees the master working at night, 235; a Pietà, 237; the cornice, 238; St. Peter's, 241; plots, 243; the bridge of Nanni, 245; the church for the Florentines in Rome, 249; the medal of Leone, 252; he holds another Buonarroto at the font, 255; a letter to, referring to the death of Urbino, 255, 256; the master's will, 269; he receives the master's body in Florence, 260; and describes the opening of the coffin in Santa Croce, 261; and the obsequies at San Lorenzo, 262; he designs the Tomb, 262; and enumerates the pupils, 263