At Marseilles he stayed for nearly three months,[35] under charge of Dr Cauvière, who, without concealing the gravity of the disease, told his patient that, with proper care, he might yet count on many years of life and work. There can be no doubt that Chopin's death-warrant had been signed, but it is equally sure that his sentence was one which could allow a long respite, and encourage the continued hope of deferment. Every man stands liable to an unread mandate of execution. Every man goes through the world, like Hernani, waiting for the summons of the fatal horn. Life, in all true reckoning, is counted not by years but by actions; and it is better to lavish the few decades of Schubert or Mozart than to hoard a long, inglorious cycle that has outworn its hopes and outlived its memories. No career is unhappy, however brief it be, that does not fail of its purpose.

And of failure in any form Chopin had unusually little experience. Even at this dark time we hear of rapid recovery, of regained strength and courage, of a summer filled with pleasant days and noble achievement. The cloud of trouble, which had hung over the forests of Valdemosa, lay far removed from the smooth lawns and sunny glades of Nohant; and there, amid music and children's laughter, and a concourse of friendly faces, the winter of discontent was very speedily forgotten. For the next few years, with the exception of 1840, he made a practice of spending his summer vacation at the château. Life looked more simple in the light of George Sand's simplicity and goodness; beneath her example it was easy to disregard all personal anxieties, and to turn with fresh resolution to the service of Art. Besides, under that hospitable roof, there were always other comrades to share the welcome. At one time Liszt would come, radiant with the triumphs of his last European tour; at another, Mickiewicz, ablaze with some fresh project of social regeneration; at another, Delacroix, busy with his _St Anne_; or Louis Blanc, intent on a new chapter of his History. Over the whole house was spread a clear, wholesome atmosphere of work, braced with a high seriousness of aim, and made genial with kindly aid and brilliant converse. We may well believe the statement of George Sand that Chopin always wrote his best at Nohant.

Studies in Modern Music, Second Series — Part 74