We may also learn from considering what this museum is what an educational and popular museum ought to be; and to this I will immediately return. Meantime, let us go on to consider a few minor agencies at work in the East of London, directly or indirectly working in favour of Art. And, first, I should like to call attention to the annual exhibition of pictures which the indefatigable Vicar of St. Jude's, Whitechapel--the Rev. Samuel Barnett--gets together every Easter for his people. The point is not so much that he holds this exhibition as that he engages the services of volunteer lecturers, who go round the show with the visitors and explain the pictures, so that they may learn what it is they should admire and something of what they should look for in a drawing or painting. In other words, Mr. Barnett's visitors are instructed in the first elements of Art criticism. There are, next, certain institutes, educational and social, such as the Bow and Bromley and the Beaumont, which might be used to advantage for Art purposes. Then there are the Church organizations, with their services, their clubs, their social, gatherings, and their schools; there are the chapels, each with its own set of similar institutions; there are the working men's clubs, which might also lend themselves and their rooms for the development of Art; there are such societies as the Kyrle Society, which give free concerts of good music, and are therefore already working for us; lastly, there are the schools of Art--there are five in East London, working under the South Kensington Department. All these are agencies which either are already working in the interests of Art, or could be easily induced to do so.