Hyacinthus, as Pausanias relates, was a youth of Laconia. His father educated him with so much care, that he was looked upon as the favourite of Apollo, and of the Muses. As he was one day playing with his companions, he unfortunately received a blow on the head from a quoit, from the effects of which he died soon after. Some funeral verses were probably composed on the occasion; in which it was said, with the view of comforting his relations, that Boreas, jealous of the affection which Apollo had evinced for the youth, had turned aside the quoit with which they played; and thus, by degrees, in length of time the name of Apollo became inseparably connected with the story.
The Lacedæmonians each year celebrated a solemn festival near his tomb, where they offered sacrifices to him; and we are told by Athenæus, that they instituted games in his honour, which were called after his name. Pausanias makes mention of his tomb, upon which he says was engraved the figure of Apollo. His alleged change into the flower of the same name is probably solely owing to the similarity of their names. It is not very clear what flower it is that was known to the ancients under the name of Hyacinthus. Dioscorides believes it to be that called 'vaccinium' by the Romans, which is of a purple colour, and on which can be traced, though imperfectly, the letters +ai+ (alas!) mentioned by Ovid. The lamentations of Apollo, on the death of Hyacinthus, formed the subject of bitter, and, indeed, deserved raillery, for several of the satirical writers among the ancients.
Venus, incensed at the Cerastæ for polluting the island of Cyprus, which is sacred to her, with the human sacrifices which they offer to their Gods, transforms them into bulls; and the Propoetides, as a punishment for their dissolute conduct, are transformed into rocks.
"But if, perchance, you were to ask of Amathus,[35] abounding in metals, whether she would wish to have produced the Propoetides; she would deny it, as well as those whose foreheads were of old rugged with two horns, from which they also derived the name of Cerastæ. Before the doors of these was standing an altar of Jupiter Hospes,[36] { a scene} of tragic horrors; if any stranger had seen it stained with blood, he would have supposed that sucking calves had been killed there, and Amathusian sheep;[37] strangers were slain there. Genial Venus, offended at the wicked sacrifices { there offered}, was preparing to abandon her own cities and the Ophiusian lands.[38] 'But how,' said she, 'have these delightful spots, how have my cities offended? What criminality is there in them? Let the inhuman race rather suffer punishment by exile or by death, or if there is any middle course between death and exile; and what can that be, but the punishment of changing their shape?'