His own impression upon his new friend was more distinctively personal in its origin. It was by Coleridge's total individuality, by the sum of his vast and varied intellectual powers, rather than by the specific poetic element contained in them, that Wordsworth, like the rest of the world indeed, was in the main attracted; but it is clear enough that this attraction was from the first most powerful. On that point we have not only the weighty testimony of Dorothy Wordsworth, as conveyed in her often-quoted description [2] of her brother's new acquaintance, but the still more conclusive evidence of her brother's own acts. He gave the best possible proof of the fascination which had been exercised over him by quitting Racedown with his sister for Alfoxden near Nether Stowey within a few weeks of his first introduction to Coleridge, a change of abode for which, as Miss Wordsworth has expressly recorded, "our principal inducement was Coleridge's society."
By a curious coincidence the two poets were at this time simultaneously sickening for what may perhaps be appropriately called the "poetic measles." They were each engaged in the composition of a five-act tragedy, and read scenes to each other, and to each other's admiration, from their respective dramas. Neither play was fortunate in its immediate destiny. Wordsworth's tragedy, the _Borderers_, was greatly commended by London critics and decisively rejected by the management of Covent Garden. As for Coleridge, the negligent Sheridan did not even condescend to acknowledge the receipt of his manuscript; his play was passed from hand to hand among the Drury Lane Committee; but not till many years afterwards did _Osorio_ find its way under another name to the footlights.
For the next twelvemonth the intercourse between the two poets was close and constant, and most fruitful in results of high moment to English literature. It was in their daily rambles among the Quantock Hills that they excogitated that twofold theory of the essence and functions of poetry which was to receive such notable illustration in their joint volume of verse, the _Lyrical Ballads_; it was during a walk over the Quantock Hills that by far the most famous poem of that series, the _Ancient Mariner_, was conceived and in part composed. The publication of the _Lyrical Ballads_ in the spring of the year 1798 was, indeed, an event of double significance for English poetry. It marked an epoch in the creative life of Coleridge, and a no less important one in the critical life of Wordsworth. In the _Biographia Literaria_ the origination of the plan of the work is thus described:--
