=56=, 20-30. =Sin . . . troth.= A characteristic illustration of how one simile in Chapman's verse begets another, with little regard for logical sequence. The "shadowes" with which sin frightens us are first compared to the imaginary creatures into which fancy shapes the clouds; then sin itself (relegated from an active to a passive part) is likened not to a pure creation of the fancy, but to an exaggerated picture of a real monster displayed by "policy," i. e. the craft which seeks to debar men from their desires.

For the custom of exhibiting a rude painting of a curiosity, as a decoy to sightseers, cf. _The Tempest_, II, 2, 29-31, "Were I in England now . . . and had but this fish painted, not a holiday fool there but would give a piece of silver."

Bussy D'Ambois and The Revenge of Bussy D'Ambois — Part 86

=56=, 21. =in his truest valour:= if his valour be rightly estimated.

Bussy D'Ambois and The Revenge of Bussy D'Ambois — Part 86

=56=, 33. =our three powers.= The vegetative, sensitive and reasoning faculties.

Bussy D'Ambois and The Revenge of Bussy D'Ambois — Part 86

=56-57=, 40-43. =Nor shall . . . wings.= Tamyra's "fame," which in l. 38 has been spoken of as a "jewell," is now likened to a fabulous winged creature which is accorded free flight.

=57=, 44. =It rests as:= the secret remains as inviolable as if.

=58=, 69-71. =layes . . . oppos'd.= I am indebted to Dr. J. A. H. Murray for the following interpretation of this passage: [Nature] brings our powers into accordance with its own will or working, just as the stone (laid by the builder) should be apposed or brought into accord with the line, not the line (which is straight and not to be shifted) made to lie along the stone.

=60=, 119. =greatnesse with him:= high place in his favour.

=62=, 13. =Boots of hay-ropes.= Bands of hay were sometimes wrapped round the legs, to serve instead of boots. Cf. Ben Jonson's _Every Man in his Humour_, I, 2. _Step._ But I have no boots . . . _Brainworm_. Why a fine wisp of hay roll'd hard, Master Stephen.

=62=, 18. =a redhair'd man:= a deceiver, traitor; so called from the representation of Judas in tapestries, and probably on the stage of the Miracle plays, with red hair.

=63=, 23. =put them up:= start them from their cover.

=63=, 28. =That . . . clapdish:= That keeps regal state, though sprung from beggary. A clapdish was a wooden dish with a lid, carried by beggars and lepers, which they clapped to announce their approach.