Apthorp, W.F., comments on Brahms, 238; eulogy on Brahms's _First Symphony_, 246; comments on _Istar_, 283.
Aristophanes, his humor compared with Beethoven's, 150.
Arnold, Matthew, lines on Byron apropos of Berlioz, 203; stanza applicable to Brahms, 233; definition of style, 234.
Babbitt, Irving, book on Romanticism, 161; _The New Laocoön_, 207.
Bach, Emmanuel, use of two themes, 93; contributions to the Sonata-form, 100.
Bach, J.S., _Well-tempered Clavichord_, 23; choral (Phrygian mode), 25; polyphonic style, 34; _Goldberg Variations_, 37; celebrated organ fugues, 41; analysis of _Fugue in E-flat major_, 42-43.
Balakireff, works and features of style, 315-316.
Baldensperger, F., eulogy of Franck, 258.
_Barcarolle_, of Chopin, color effect therein, 193; analysis of, 200-201.
Beethoven, 2, 5, 8: motive of _Fifth Symphony_, 12; _Waldstein Sonata_, 15; String Quartet (Lydian mode), 26; fugal passages in symphonies, 41; sentences from sonatas, 58-61; _Egmont Overture_, 77; _Rondo Capriccio_, 82; sets of Variations, 88; biography, 122-126; love of Nature, 125; features of style, 126-129; development of the Sonata-form, 126-127; treatment of the Coda, 127; variety of rhythm, 127-128; use of dissonances, 128; humor, 128-129; development of Program music, 129; development of varied air, 129; characterization of the Symphonies, 130-132; estimate of the Pianoforte Sonatas, 140; pianistic effect in Sonatas, 145; as a programmistic composer, 153-154; quality of themes, 156; dramatic use of single notes, 156-157; theme of _Ninth Symphony_ compared with theme from Brahms's _First Symphony_, 247.
Berlioz, quotation from _Grotesques de la Musique_, 21; canon in _Carnaval Romain_ Overture, 37; comment on Trio of _Fifth Symphony_, 150; biography, 202-205; names of his Parisian friends, 204; features of style, 205-206; _Fantastic Symphony_, analysis of, 207-211; _Carnaval Romain_ Overture, analysis of, 211-212; _Damnation of Faust_, instrumental numbers from, 213-214; _Harold in Italy_ Symphony, analysis of, 214-215; _Romeo and Juliet_ Symphony, comments on, 215-216.
Bie, Oscar, 74; on the style of Couperin and Rameau, 152.
Boieldieu, comment on Beethoven, 134, 255.
Borodin, works and features of style, 316-317.