For want of knowing where else to put it, I may mention here in reference to the dead, a passage which has been copied for me by my friend Mr. Gwenogvryn Evans, from Manuscript 163 in the Peniarth Collection. I understand it to be of the earlier part of the sixteenth century, and p. 10 has the following passage:--

Yn yr ynys honn [Manaw] y kair gweled liw dyd bobyl a vvessynt veirw / Rrai gwedi tori penav / eraill gwedi torri i haelode / Ac os dieithred a dissyfynt i gweled hwynt / Sengi ar draed gwyr or tir ac velly hwynt a gaent weled yr hyn a welssynt hwyntav.

Celtic Folklore: Welsh and Manx (Volume 1 of 2) — Part 199

'In this island [Man] one beholds in the light of day people who have died, some with their heads cut off and others with their limbs cut off. And if strangers desire to see them, they have to stand on the feet of the natives of the land, and in that way they would see what the latter had seen.'

Celtic Folklore: Welsh and Manx (Volume 1 of 2) — Part 199

A similar instance of the virtue of standing on the feet of another person has been mentioned in reference to the farmer of Deunant, at p. 230 above; the foot, however, on which he had to stand in order to get a glimpse of the fairy world, was a fairy's own foot.

Celtic Folklore: Welsh and Manx (Volume 1 of 2) — Part 199

Lastly, the passage in the Peniarth Manuscript has something more to say of the Isle of Man, as follows:--

Mawr oed arfer o swynion a chyvaredion gynt yn yr ynys honn / Kanys gwraged a vydynt yno yn gwnevthvr gwynt i longwyr gwedir gav mewn tri chwlm o edav aphan vai eissie gwynt arnynt dattod kwlm or edav anaynt.

'Great was the practice formerly of spells and sorceries in this island; for there used to be there women making wind for sailors, which wind they confined within three knots made on a thread. And when they had need of wind they would undo a knot of the thread.'

This was written in the sixteenth century, and based probably on Higden's Polychronicon, book I, chap. xliv. (= I. 42-3), but the same practice of wind making goes on to this day, one of the principal practitioners being the woman to whom reference was made at p. 299. She is said to tie the breezes in so many knots which she makes on the purchasing sailor's pocket-handkerchief. This reminds one of the sibyl of Warinsey, or the Island of Guernsey, who is represented by an ancient Norse poet as 'fashioning false prophecies.' See Vigfusson and Powell's Corpus Poeticum Boreale, i. 136; also Mela's first-century account of the virgins of the island of Sena, which runs to the following effect:--'Sena, in the Britannic Sea, opposite the coast of the Osismi, is famous for its oracle of a Gaulish god, whose priestesses, living in the holiness of perpetual virginity, are said to be nine in number. They call them Gallizenæ, and they believe them to be endowed with extraordinary gifts to rouse the sea and the wind by their incantations, to turn themselves into whatsoever animal form they may choose, to cure diseases which among others are incurable, to know what is to come and to foretell it. They are, however, devoted to the service of voyagers only who have set out on no other errand than to consult them [148].' It is probable that the sacrosanct [149] inhabitants of the small islands on the coasts of Gaul and Britain had wellnigh a monopoly of the traffic in wind [150].