Thus far I have been tracing the steps of the process by which the worker of nefarious arts starts by employing for nefarious purposes means which any one could use if he would, and ends by being credited with a power peculiar to himself of working impossibilities. I now wish to point out that a process exactly parallel is simultaneously carried on by which arts beneficent to society are supposed to be evolved. Rain-making may be taken as an art socially beneficial. The _modus operandi_ of rain-making appears in all cases to be based on the principle that like produces like; and to be in its { 88} nature a process which any one can carry out and which requires no mysterious art to effect and no mysterious personal power to produce. At the same time, as it is a proceeding which is beneficial to the tribe as a whole, it is one in which the whole tribe, and no one tribesman in particular, is interested. It must be carried out in the interest of the tribe and by some one who in carrying it out acts for the tribe. The natural representative of the tribe is the head-man of the tribe; and, though any one might perform the simple actions necessary, and could perform them just as well as the head-man, they tend to fall into the hands of the head-man; and in any case the person who performs them performs them as the representative of the tribe. The natural inference comes in course of time to be drawn that he who alone performs them is the man who alone can perform them; and when that inference is drawn it becomes obvious that his personality, or the power peculiar to him personally, is necessary if rain is to be made, and that the acts and ceremonies through which he goes and through which any one could go would not be efficacious, or not as efficacious, without his personal agency and mysterious power. Hence the man who works { 89} wonders for his tribe or in the interests of his tribe, in virtue of his personal power, does things which are impossible for the ordinary member of the tribe.
Up to this point, in tracing the evolution of magic, we have not found it once necessary to bring in or even to refer to any belief in the existence of spiritual beings of any kind. So far as the necessities of the argument are concerned, the belief in magic might have originated in the way I have described and might have developed on the lines suggested, in a tribe which had never so much as heard of spirits. Of course, as a matter of fact, every tribe in which the belief in magic is found does also believe in the existence of spirits; animism is a stage of belief lower than which or back of which science does not profess to go. But it is only in an advanced stage of its evolution that the belief in magic becomes involved with the belief in spirits. Originally, eating tiger to make you bold, or eating saffron to cure jaundice, was just as matter of fact a proceeding as drinking water to moisten your throat or sitting by a fire to get warm; like produces like, and beyond that obvious fact it was not necessary to go--there was no more need to imagine that the action of the saffron was due to a spirit than to imagine { 90} that it was a water spirit which slakes your thirst. The fact seems to be that animism is a savage philosophy which is competent to explain everything when called upon, but that the savage does not spend every moment of his waking life in invoking it: until there is some need to fall back upon it, he goes on treating inanimate things as things which he can utilise for his own purposes without reference to spirits. That is the attitude also of the man who in virtue of his lore or his personal power can produce effects which the ordinary man cannot or will not: he performs his ceremony and the effect follows--or will follow--because he knows how to do it or has mysterious personal power to produce the effect. But he consults no spirits--at any rate in the first instance. Eventually he may do so; and then magic enters on a further stage in its evolution. (See Appendix.)