Wang Tong or Wang Toon (born Wáng Zhōnghé, April 14, 1942) is a Taiwanese director who started his career as an art director and production designer and later became a film director and educator.
He started working in the Central Motion Picture Corporation (中影股份有限公司) in the department for art and costume design in 1966. He won the 13th Golden Horse Award for best art direction in 1976 for Forever My Love, directed by Pai Chingjui (白景瑞).
He demonstrated his talent as a film director with his first feature, If I Were for Real (假如我是真的), which won him four awards, including Best Narrative Film, Best Leading Actress, Best Supporting Actress and Best Adapted Screenplay in the 18th Golden Horse Award in 1981.
Between 1981 and 2015 he directed 13 feature films, 2 animation feature films, and 1 documentary. His achievement and contribution to Taiwan cinema for almost 60 years was recognized by the 56th Golden Horse Lifetime Achievement Award presented to him in 2019.
Wang Tong was also devoted to education. He took a teaching position in the Department of Filmmaking at the Taipei National University of the Arts in 2007 and served as the Chair from 2010 to 2013 and 2017 to 2019. He retired from the university in 2019 and was awarded the Art Education Contribution Award (藝術教育貢獻獎) by the Ministry of Education (教育部) in 2022.
Life and career
Wang Tong was born in Anhui, China in 1942 and moved to Taiwan with his family in 1949 because of the Chinese Civil War. He studied at the National Taiwan College of Arts (國立藝術專科學校) from 1962 to 1965, under the guidance of teachers such as Long Sihliang (龍思良), Gao Yifeng (高一峰) and Wu Yaozong (吳耀宗). When he was young, Wang was nourished by inspiring journals, such as Juchang (劇場; Theatre Magazine) and Wenxue jikan (文學季刊; Literature Magazine), and his association with contemporary poets and painters, including Chen Yingzhen (陳映真) and Wei Tiancong (尉天聰), and Huang Chunming (黃春明) at Cafe Astoria (明星咖啡館). It was there that Wang Tong read the manuscript of the novel Days of Watching the Sea (看海的日子) by Huang Chunming, which he later adapted into a popular feature film A Flower in The Raining Night (看海的日子).
Wang Tong got a chance to join the production team of Songfest (山歌姻緣) as art assistant when Director Yuan Qiufeng (袁秋楓) came to Taiwan to his this feature film in 1963. Realizing that he was good at art design and his work could bring him higher income than his classmates who worked as art teacher, Wang decided to join the film industry for his career.
Wang entered Central Motion Picture Corporation in 1966 and was placed under Johnson Tsao Chuang-Sheng (曹莊生), from whom he learned to improve his aesthetic skills and the details about film production, such as architecture, space, makeup, costumes, and color. He had worked for many major directors at that time, including Lee Hsing (李行), Ting Shanhsi (丁善璽), Pai Chingjui, Sung Tsunshou (宋存壽) and Richard Chen Yaochi (陳耀圻) as the art director of their films. An avid learner, he also grabbed whatever opportunities he could have to learn from other directors he admired, such as Li Hanhsiang (李翰祥) and King Hu (胡金銓) to polish his production skills.
Wang Tong made his debut feature film, If I Were for Real in 1981 while continuing to work as an art director for his own films and for other directors. In 1983, he directed A Flower in the Rainy Night, which was adapted from Huang Chunming's novel, Days of Watching the Sea. The film was a box office success and won two 18th Golden Horse awards: Lu Hsiaofen (陸小芬), who was known for her roles as sexy revenging woman, for the Best Leading Actress and Ying Ying (英英) for best supporting actress.
Wang’s next film Run Away (策馬入林; 1984) is praised for its realistic style, which makes it very different from previous martial art films in the 1960s and 1970s. His Spring Daddy (陽春老爸; 1985) is a film about a family composed of mainland veteran father and Taiwanese mother, a social phenomenon depicted in many films of the 1980s.