Sir Alan Arthur Bates (17 February 1934 – 27 December 2003) was an English actor who came to prominence in the 1960s, when he appeared in films ranging from the popular children's story Whistle Down the Wind to the "kitchen sink" drama A Kind of Loving.
He is also known for his performance with Anthony Quinn in Zorba the Greek, as well as his roles in King of Hearts, Georgy Girl, Far From the Madding Crowd and The Fixer, for which he received an Academy Award nomination for Best Actor. In 1969, he starred in the Ken Russell film Women in Love with Oliver Reed and Glenda Jackson.
Bates went on to star in The Go-Between, An Unmarried Woman, Nijinsky and in The Rose with Bette Midler, as well as many television dramas, including The Mayor of Casterbridge, Harold Pinter's The Collection, A Voyage Round My Father, An Englishman Abroad (as Guy Burgess) and Pack of Lies. He also appeared on the stage, notably in the plays of Simon Gray, such as Butley and Otherwise Engaged.
Early life
Bates was born at the Queen Mary Nursing Home, Darley Abbey, Derby, England, on 17 February 1934, the eldest of three boys born to Florence Mary (née Wheatcroft), a housewife and a pianist, and Harold Arthur Bates, an insurance broker and a cellist. They lived in Allestree, Derby, at the time of Bates' birth, but briefly moved to Mickleover before returning to Allestree.
Both parents were amateur musicians who encouraged Bates to pursue music. However, by the age of 11, having decided to become an actor, he studied drama instead. He further developed his vocation by attending productions at Derby's Little Theatre.
Bates was educated at the Herbert Strutt Grammar School, Derby Road, Belper, Derbyshire (now "Strutts", a volunteer led business and community centre) and later gained a scholarship to the Royal Academy of Dramatic Art in London, where he studied with Albert Finney and Peter O'Toole, before leaving to join the RAF for National Service at RAF Newton.
Career
Early stage appearances
Bates's stage debut was in 1955, in You and Your Wife, in Coventry.
In 1956 he made his West End debut as Cliff in Look Back in Anger, a role he had originated at the Royal Court and which made him a star. He also played the role on television (for the ITV Play of the Week) and on Broadway. He also was a member of the 1967 acting company at the Stratford Festival in Canada, playing the title role in Richard III.
Television
In the late 1950s Bates appeared in several plays for television in Britain in shows such as ITV Play of the Week, Armchair Theatre and ITV Television Playhouse.
In 1960 appeared as Giorgio in the final episode of The Four Just Men (TV series) entitled Treviso Dam.
Bates made his feature film debut in The Entertainer (1960) opposite Laurence Olivier, his first film role. Bates worked for the Padded Wagon Moving Company in the early 1960s while acting at the Circle in the Square Theatre in New York City.
Film stardom
Bates played the lead in his second feature, Whistle Down the Wind (1961), directed by Bryan Forbes. He followed it with the lead in A Kind of Loving (1962), directed by John Schlesinger. Both films were very popular, establishing Bates as a film star.
Film critics cited the 1963 film noir, The Running Man, as being one of Alan Bates' finest performances. The film starred Laurence Harvey, Lee Remick and Bates in the supporting role of Stephen Maddox, an insurance company investigator who encounters Harvey and Remick in Spain after Harvey successfully faked his death in an aeroplane crash to cash in on a life insurance policy, leaving wife Lee Remick a small fortune. Fans of film noir enjoyed the many intriguing twists and turns The Running Man offered. The film also offered movie fans a depth of character study worthy of a memorable film noir. Bates' character worked well with Harvey and Remick, helping director Carol Reed craft an ever-guessing, suspenseful story of cat and mouse detective work that moved seamlessly from beginning to end. While many movies in film noir have predictable plots, The Running Man featured a plot that was unpredictable, which was its best asset. The film's finale saw Lee Remick standing wearily on a dock, looking at a departing boat with the Rock of Gibraltar looming in the background.
Bates went into an adaptation of Harold Pinter's The Caretaker (1963) with Donald Pleasence and Robert Shaw. It was directed by Clive Donner who then made Nothing But the Best (1964) with Bates.