Hungarian rhythms in Schubert, Liszt and Brahms, 30; in Schubert's Symphonies, 166; in Brahms's First Symphony, 244.
_Invention in C major_, analysis of, 38-89.
_Istar_, Symphonic Poem of d'Indy, as example of a varied air, 89; analysis of, 283-287.
Jannequin, descriptive pieces for voices, 152.
Keats, quotation apropos of _Fifth Symphony_, 148; quotation from, 163.
Kelly, Michael, _Reminiscences of Mozart_, 112.
_King Lear_, quotation from by Berlioz, 207.
Krehbiel, essay on Haydn, 103; _The Pianoforte and its Music_, 152.
Lalo, Eduard, works and features of style, 256.
Laloy, Louis, Life of Chopin, 198; essay on Debussy, 294.
Lavoix, estimate of the _Fifth Symphony_, 127.
Legouvé, _Recollections_ of Berlioz, 205.
Liszt, 4, 21; characterization of Schubert, 164; _Faust_ Symphony (theme in augmentation), 45; Life of Chopin, 198; biography, 217-218; features of style, 218-219; analysis of Symphonic Poem, _Orpheus_, 221-222; of _Faust_ Symphony, 223-226; pianoforte compositions, 226-227; alleged influence on Brahms, 232; use of whole-tone scale, 289.
Locke, A.W., article in _Musical Quarterly_, 151.
Loeffler, Charles Martin, works and features of style, 329-330.
Lowell, J.R., definition of a classic, 161.
MacCunn, Hamish, _Scottish Melodies_, 28.
MacDowell, _Rigaudon_, 79; _Indian Suite_, 80, 329.
Maeterlinck, compared with Franck, 257; comment on the theatre, 294; influence on Loeffler, 330.
_Magic Flute_ Overture, analysis of, 119-121.
Mason, D.G., 7, 9; essay on Haydn, 102; on Mozart, 112; comment on Chopin's style, 196; essay on Berlioz, 211; on Saint-Saëns, 256; on d'Indy, 281; comments on _Istar_, 283; essay on Debussy, 295; on Tchaikowsky, 306; on Dvo[vr]ák, 322; as composer, 329.
Mendelssohn, 89; biography and features of style, 184-186; Violin Concerto, comments on, 185-186.
_Midsummer Night's Dream_ Overture, analysis of, 186-187.
Milton, quotation from _Paradise Lost_, 49.
minuet, 75; account of, and examples, 78.
Montagu-Nathan, _History of Russian Music_, 314, 326.
Moussorgsky, works and features of style, 318-320.
Mozart, _Magic Flute_ Overture, 40; Finale of _Jupiter_ Symphony, 40, 81; biography, 108-110; features of style, 110-112; Mozart and Haydn, reactive influence, 110-111; polyphonic skill, 110, 112; dramatic power, 111; examples from works, 113-121.