Adam Curtis-Cedar Herald Index

Adam Curtis (born 26 May 1955) is an English documentary filmmaker.

Curtis began his career as a conventional documentary producer for the BBC throughout the 1980s and into the early 1990s. The release of Pandora's Box (1992) marked the introduction of Curtis's distinctive presentation that uses collage to explore aspects of sociology, psychology, philosophy and political history.

Adam Curtis

His style has been described as involving, "whiplash digressions, menacing atmospherics and arpeggiated scores, and the near-psychedelic compilation of archival footage", narrated by Curtis himself with "patrician economy and assertion". His films have won five BAFTAs.

Adam Curtis

Early life

Adam Curtis was born in Dartford in Kent, and raised in nearby Platt. His father was Martin Curtis (1917–2002), a cinematographer with a socialist background.

Adam Curtis

Curtis won a county scholarship and attended the Sevenoaks School. It was there that an influential art teacher introduced him to the work of Robert Rauschenberg.

Curtis completed a Bachelor of Arts degree in human sciences at Mansfield College, Oxford. He began a PhD and taught in politics, but ultimately became disillusioned with academia and decided to leave the profession.

Career

Early career

Curtis applied to the BBC and was hired to make a film for one of its training courses, comparing designer clothes in music videos to the design of weapons. He was subsequently given a post on That's Life!, a magazine series that juxtaposed hard-hitting investigations and light-hearted content. He was a film director on Out of Court, a BBC Two legal series, from 1980 until 1982.

Politics

Curtis is inspired by the sociologist Max Weber, who, he argues, challenged the "crude, left-wing, vulgar Marxism that says that everything happens because of economic forces within society". Of his general political outlook, Curtis has also remarked:

In another interview, Curtis reiterated this interpretation of "The Century of the Self", but added that it's not actually what he thinks himself:

In a later interview, Curtis has stated:

Documentaries

Curtis cites the U.S.A. trilogy, a series of three novels by John Dos Passos that he first read when he was thirteen, as the greatest influence on his work:

Other creative influences are Robert Rauschenberg and Émile Zola. Curtis makes extensive use of archive footage in his documentaries. He has acknowledged the influence of recordings made by Erik Durschmied and is "constantly using his stuff in my films".

Discussing his process in an interview with fellow documentary-maker Jon Ronson for Vice, Curtis said his extensive work with footage acquired from the BBC Archives is often led by 'instinct and imagination', with the aim of creating 'a mood that gives power and force to the story I'm telling'.

Instead of specially composed music, which Curtis has said "creates a sort of monoculture", he uses tracks from a variety of genres, decades, and countries, as well as sound effects that he discovers on old tapes.

According to a profile of Curtis by Tim Adams, published in The Observer: "If there has been a theme in Curtis's work ... it has been to look at how different elites have tried to impose an ideology on their times, and the tragicomic consequences of those attempts".

In 2005, Curtis received the Golden Gate Persistence of Vision Award at the San Francisco International Film Festival. In 2006, he was given the Alan Clarke Award for Outstanding Creative Contribution to Television at the British Academy Television Awards. In 2009, the Sheffield International Documentary Festival gave Curtis the Inspiration Award for inspiring viewers and other documentary filmmakers. In 2015, he was awarded the True Vision Award by the True/False Film Fest.

Curtis's critics have accused him of exaggeration and distortion, even wilful misrepresentation.