“Wait a minute—and _dried soap in his mouth_.”
Bunter got up and appeared suddenly at the detective’s elbow, the respectful man-servant all over.
“A little more brandy, sir?” he murmured.
“Wimsey,” said Parker, “you are making me feel cold all over.” He emptied his glass—stared at it as though he were surprised to find it empty, set it down, got up, walked across to the bookcase, turned round, stood with his back against it and said:
“Look here, Wimsey—you’ve been reading detective stories; you’re talking nonsense.”
“No, I ain’t,” said Lord Peter, sleepily, “uncommon good incident for a detective story, though, what? Bunter, we’ll write one, and you shall illustrate it with photographs.”
“Soap in his—Rubbish!” said Parker. “It was something else—some discoloration—”
“No,” said Lord Peter, “there were hairs as well. Bristly ones. He had a beard.”
He took his watch from his pocket, and drew out a couple of longish, stiff hairs, which he had imprisoned between the inner and the outer case.
Parker turned them over once or twice in his fingers, looked at them close to the light, examined them with a lens, handed them to the impassible Bunter, and said:
“Do you mean to tell me, Wimsey, that any man alive would”—he laughed harshly—“shave off his beard with his mouth open, and then go and get killed with his mouth full of hairs? You’re mad.”
“I don’t tell you so,” said Wimsey. “You policemen are all alike—only one idea in your skulls. Blest if I can make out why you’re ever appointed. He was shaved after he was dead. Pretty, ain’t it? Uncommonly jolly little job for the barber, what? Here, sit down, man, and don’t be an ass, stumpin’ about the room like that. Worse things happen in war. This is only a blinkin’ old shillin’ shocker. But I’ll tell you what, Parker, we’re up against a criminal—_the_ criminal—the real artist and blighter with imagination—real, artistic, finished stuff. I’m enjoyin’ this, Parker.”
Lord Peter finished a Scarlatti sonata, and sat looking thoughtfully at his own hands. The fingers were long and muscular, with wide, flat joints and square tips. When he was playing, his rather hard grey eyes softened, and his long, indeterminate mouth hardened in compensation. At no other time had he any pretensions to good looks, and at all times he was spoilt by a long, narrow chin, and a long, receding forehead, accentuated by the brushed-back sleekness of his tow-coloured hair. Labour papers, softening down the chin, caricatured him as a typical aristocrat.