The sum which is to be offered to you (if my information is correct) is small, according to English notions, but not so, measured by a German standard. Nor is it small when you take into consideration that it represents a fixed salary for only two or three lessons daily, and when you make allowance for the time of ten weeks’ leave of absence; so that, if you choose to give two or three private lessons besides, you will be in a more remunerative position than most musical men in this country, and yet not have to give more than four or five lessons daily. That would be light work for you, accustomed as you are to the incredible exertions of London life. You would have leisure enough, and to spare; and what splendid fruit that might bear for art and for your friends! I cannot for a moment doubt that, under the circumstances, you will appreciate the change; and I must say that, from what I hear of the petty doings over there, and from what I experienced myself eighteen months ago, I can fully understand that every year brings you fresh cause for dissatisfaction, and a growing desire to turn your back on it all. And, really, the position you are asked to occupy is not unworthy of your acceptance.
One point I must answer, to correct a misapprehension: I am not, and never shall be, the Director of the school. I stand in precisely the same kind of position that it is hoped you may occupy. The duties of my department are the reading of compositions, etc.; and as I was one of the founders of the school, and am acquainted with its weak points, I lend a hand here and there until we are more firmly established. I look upon it as an element of stability that we should have no musical director placed in authority above the professors,--head masters, as we call them. These--Hauptmann, Becker, David, and myself (may I soon be able to add your name!)--form a committee of management on all musical matters, subordinate to the Directors only, inasmuch as these select the teachers, manage the business, and are generally the representatives of the Institute. But all musical matters are submitted to the committee of teachers, or to the special professor whom they may concern. So, for instance, any question relating to harmony would be referred to Hauptmann, whilst Becker would deal with what concerns the organ. The Board of Directors consists exclusively of prominent citizens,--non-musicians,--who give their services gratuitously.