The Death Gate Cycle is a seven-part series (heptalogy) of fantasy novels written by Margaret Weis and Tracy Hickman. The main conflict is between two powerful races, the Sartan and the Patryns, which branched off from humans following a nuclear/anti-matter holocaust. Centuries prior to the events of the series, the Sartan attempted to end the conflict by sundering the Earth into four elemental realms, and imprisoning the Patryns in a fifth prison world, the Labyrinth. The Sartan took up stewardship of the elemental realms, but soon mysteriously lost contact with each other and disappeared. Centuries later, a Patryn known as Xar escaped the Labyrinth, and started returning to the Labyrinth to rescue others. He learned how to access the other worlds, using the eponymous portal called the Death Gate, and dreamed of freeing all his people from the Labyrinth and conquering the other worlds. The books follow the fiercely independent Haplo, a Patryn agent sent to scout the elemental worlds and throw them into chaos in preparation for his Lord's conquest of them. Weis and Hickman created five distinct fantasy worlds during the course of the series, along with developing the cultures of five major races: the unique Patryn and Sartan, and the common fantasy races of dwarves, elves, and humans.
Novels
Dragon Wing (February 1990) Elven Star (November 1990) Fire Sea (August 1991) Serpent Mage (April 1992) The Hand of Chaos (April 1993) Into the Labyrinth (December 1993) The Seventh Gate (September 1994)
Behind the series
"Margaret and I have always tried to take fantasy literature in new directions. Krynn is a world wholly distinct from Earth, unlike Tolkien's Middle-earth. Time travel itself was a science-fiction notion we applied to fantasy. We have even written fantasies taking place in the far future (The Death Gate Cycle)!" — Tracy Hickman, The Annotated Dragonlance Legends pg. 458
Margaret Weis and Tracy Hickman had finished their Dragonlance and Darksword series prior to The Death Gate Cycle, which may be considered their most ambitious work yet, as they created multiple fully realized and distinct worlds. The series also displayed Weis and Hickman's continued command of the fantasy genre.
As in their previous works, the authors continued to explore the theme of balance, and how the universe naturally works to correct imbalances.
Unlike in Dragonlance, where the universe's balance was a greater force than even the gods, the existence of a god or gods in The Death Gate Cycle is unknown; a universal balance is the closest thing to divinity. Along a similar line, the authors continued to explore the theme of men becoming gods—in this case with the entire Patryn and Sartan races clamoring for that throne. Finally, as in both Dragonlance and the Darksword series, they explored the effects of sweeping changes to the fundamental nature of a world (in this case worlds) on both the day-to-day life and the fate of nations.
Similar to the central concept of The Lord of the Rings, which J. R. R. Tolkien claimed was a translation of a real tome in his keeping (the Red Book of Westmarch), The Death Gate Cycle claims to be documentation of the events revolving around Death's Gate, authored after the fact by its primary characters. Even more than that, it is a scholarly document, with footnotes containing definitions of terms, references to past adventures and authorial asides. Each novel contains appendices giving further detail on various aspects of the story and its world, often summarizing (or occasionally laying the groundwork for) information related in the narrative proper. Finally, most of the novels also contain a musical score at the end, documenting a song (or sometimes a Sartan music-based rune-construct) featured in that particular volume.
Worlds in the series
The Earth was destroyed. Four worlds were created out of the ruin. Worlds for ourselves and the mensch: Air, Fire, Stone, Water. Four Gates connect each world to the other: Arianus to Pryan to Abarrach to Chelestra. A house of correction was built for our enemies: the Labyrinth. The Labyrinth is connected to the other worlds through the Fifth Gate: the Nexus. The Sixth Gate is the center, permitting entry: the Vortex. And all was accomplished through the Seventh Gate. The end was the beginning. — Weis & Hickman, Into The Labyrinth pg. 9