The queen seemed to be created by nature to contrast with the king, and to attract for ever the interest and pity of ages to one of those state dramas, which are incomplete unless the miseries and misfortunes of a woman mingle in them. Daughter of Maria Theresa, she had commenced her life in the storms of the Austrian monarchy. She was one of the children whom the Empress held by the hand when she presented herself as a supplicant before her faithful Hungarians, and the troops exclaimed, "We will die for our king, Maria Theresa." Her daughter, too, had the heart of a king. On her arrival in France, her beauty had dazzled the whole kingdom,--a beauty then in all its splendour. The two children whom she had given to the throne, far from impairing her good looks, added to the attractions of her person that character of maternal majesty which so well becomes the mother of a nation. The presentiment of her misfortunes, the recollection of the tragic scenes of Versailles, the uneasiness of each day somewhat diminished her youthful freshness. She was tall, slim, and graceful,--a real daughter of Tyrol. Her naturally majestic carriage in no way impaired the grace of her movements; her neck rising elegantly and distinctly from her shoulders gave expression to every attitude. The woman was perceptible beneath the queen, the tenderness of heart was not lost in the elevation of her destiny. Her light brown hair was long and silky, her forehead, high and rather projecting, was united to her temples by those fine curves which give so much delicacy and expression to that seat of thought or the soul in women; her eyes of that clear blue which recall the skies of the North or the waters of the Danube; an aquiline nose, with nostrils open and slightly projecting, where emotions palpitate and courage is evidenced; a large mouth, brilliant teeth, Austrian lips, that is, projecting and well defined; an oval countenance, animated, varying, impassioned, and the _ensemble_ of these features replete with that expression impossible to describe which emanates from the look, the shades, the reflections of the face, which encompasses it with an iris like that of the warm and tinted vapour which bathes objects in full sunlight--the extreme loveliness which the ideal conveys, and which by giving it life increases its attraction. With all these charms, a soul yearning to attach itself, a heart easily moved, but yet earnest in desire to fix itself; a pensive and intelligent smile, with nothing of vacuity in it, nothing of preference or mere acquaintanceship in it, because it felt itself worthy of friendships. Such was Marie-Antoinette as a woman.