§ 36.9. =The Doctrine of Inspiration.=--In earlier times it was usual, after the example of Philo, to regard the prophetic inspiration of the sacred writers as purely passive, as ἔκστασις. Athenagoras compares the soul of the prophet while prophesying to a flute; Justin Martyr in his _Cohort. ad Græc._ to a lyre, struck by the Holy Spirit as the _plectrum_, etc. The Montanist prophets first brought this theory into disrepute. The Apologist Miltiades of Asia Minor was the first Church Teacher who vindicated over against the Montanists the proposition: προφήτην μὴ δεῖν ἐν ἐκστάσει λαλεῖν. The Alexandrians who even admitted an operation of the Holy Spirit upon the nobler intellects of paganism, greatly modified the previously accepted doctrine of inspiration. Origen, for example, teaches a gradual rising or falling in the measure of inspiration even in the bible, and determines this according to the more or less prominence secured by the human individuality of the writers of scripture.
§ 36.10. =Hymnology.=--The _Carmen Christo quasi Deo dicere secum invicem_ in the report of Pliny (§ 22, 2), may be classed with the antiphonal responsive hymns of the church. Tertullian bears witness to a rich use of song in family as well as congregational worship. So too does Origen. In the composition of church hymns the heretics seem for a long while to have kept abreast of the Catholics (Bardesanes and Harmonius, § 27, 5), but the latter were thereby stirred up to greater exertions. The Martyr Athenogenes and the Egyptian bishop Nepos are named as authors of church hymns. We have still a hymn εἰς Σωτῆρα by Clement of Alexandria. Socrates ascribes to Ignatius, bishop of Antioch, the introduction of the alternate-song (between different congregational choirs). More credible is Theodoret’s statement that the Antiochean monks Flavian and Diodorus had imported it, about A.D. 260, from the National Syrian into the Greek-Syrian church.--Continuation § 59, 4, 5.
Sunday as a day of joy was distinguished by standing at prayer, instead of kneeling as at other times, and also by the prohibition of fasting. Of the other days of the week, Wednesday, the day on which the Jewish Council decided to put Jesus to death and Judas had betrayed him, and Friday, as the day of his death, were consecrated to the memory of Christ’s suffering; hence the _Feria quarta et sexta_ were celebrated as watch days, _dies stationum_, after the symbolism of the _Militia christiana_ (Eph. vi. 10-17), by public meetings of the congregation. As days of the Passion, penitence and fasting they formed a striking contrast to the Sunday. The chief days of the Christian festival calendar, which afterwards found richer and more complete expression in the cycle of the Christian year, were thus at first associated with the weekly cycle. A long continued and wide spread controversy as to the proper time for celebrating Easter arose during the 2nd century.