And if their eyes should watch and weep Till sorrow's source were dry, She would not, in her tranquil sleep, Return a single sigh.
Blow, west wind, by the lowly mound, And murmur, summer-streams-- There is no need of other sound To soothe my lady's dreams.
There is, finally, that nameless poem--her last--where Emily Brontë's creed finds utterance. It also is well known, but I give it here by way of justification, lest I should seem to have exaggerated the mystic detachment of this lover of the earth:
No coward soul is mine, No trembler in the world's storm-troubled sphere: I see Heaven's glories shine, And faith shines equal, arming me from fear.
O God within my breast, Almighty, ever-present Deity! Life--that in me has rest, As I--undying Life--have power in thee!
Vain are the thousand creeds That move men's hearts: unutterably vain; Worthless as withered weeds, Or idlest froth amid the boundless main.
To waken doubt in one Holding so fast by thine infinity; So surely anchored on The steadfast rock of immortality.
With wide-embracing love Thy spirit animates eternal years, Pervades and broods above, Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone, And suns and universes ceased to be, And Thou wert left alone, Every existence would exist in Thee.
There is not room for Death, Nor atom that his might could render void: Thou--THOU art Being and Breath, And what THOU art may never be destroyed.
It is not a perfect work. I do not think it is by any means the finest poem that Emily Brontë ever wrote. It has least of her matchless, incommunicable quality. There is one verse, the fifth, that recalls almost painfully the frigid poets of Deism of the eighteenth century. But even that association cannot destroy or contaminate its superb sincerity and dignity. If it recalls the poets of Deism, it recalls no less one of the most ancient of all metaphysical poems, the poem of Parmenides on Being:
[Greek: pos d' an epeit apoloito pelon, pos d' an ke genoito; ei ge genoit, ouk est', oud ei pote mellei esesthai.
tos, genesis men apesbestai kai apiotos olethros. oude diaireton estin, epei pan estin homoion oude ti pae keneon.... ....eon gar eonti pelazei.]
Parmenides had not, I imagine, "penetrated" to Haworth; yet the last verse of Emily Brontë's poem might have come straight out of his [Greek: ta pros halaetheiaen]. Truly, an astonishing poem to have come from a girl in a country parsonage in the 'forties.