Oothukkaadu Venkata Kavi (-1765) or Oottukkaadu Venkata Subramanyar was one of the pioneering composers in Indian classical Carnatic music. He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkaadu Venkatasubramaniya Iyer, he composed hundreds of compositions in Sanskrit and Tamil of which over 500 are available. These were handed down from generation to generation by the descendants of the composer's brother's family.
Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term – melody, rhythm, and lyrics. He was fluent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal, he was proficient in a variety of musical forms such as the kriti, tillana and kaavadicchindu. He used Taalas and themes that many other Carnatic composers have not handled. His compositions are a blend of a high degree of scholarship on a variety of subjects and inspired expression. During a lecture demonstration on the composer by Needamangalam Krishnamurthy Bhaagavatar in December 1955, The Music Academy Madras Experts' Committee noted that "Venkata Kavi's compositions filled a gap between Purandara Dasa (1484-1564) and the Carnatic Music Trinity of Tyaagaraaja, Muthuswami Dikshitar and Shyama Shastri, who lived around 1760s-1840s."
While he has rightfully been acknowledged as one of the greatest composers on Krishna, Venkata Kavi composed hundreds of pieces on other deities too. Several pieces also reveal his humility, reverence for the great personalities before his times, and the high state of bliss that he probably experienced almost ceaselessly. His works scarcely contain autobiographical notes but show that he had reached great spiritual and philosophical heights. Deeper studies have dispelled myths about some of his compositions such as, for example, "Alaipaayude kannaa" (raaga: Kaanada) being autobiographical. They have also shown that this and numerous other pieces on Krishna in lilting Tamil were parts of an opera based on the Bhaagavatam. His works also reveal the proximity and deep devotion that he felt towards Krishna.
Early life
Venkata Kavi, named Venkata Subramanian, was born in Mannaargudi town in Thiruvarur district in the Indian state of Tamil Nadu (about 200 miles from Chennai) as the eldest of five children to the Tamil Smaartha couple of Subbu Kutti Iyer and Venkammaa, according to the family records in the possession of the descendants of his brother Raamachandra Vaathoola's family. Though his ancestors had resided in various villages in South India around the temple town of Mannaargudi, Venkata Kavi moved to Oothukkadu village (referred to as "Dhenushvasapuram" in Sanskrit), near Kumbhakonam. One of his nephews, Kattu Krishna Iyer was a musician in the royal court of the Thanjavur Maraatha King Prataapa Simha Bhonsale in the later part of the 18th century. Venkata Kavi composed hundreds of songs in praise of the Kaalinga Nartana Krishna of Oottukkadu, also referred to as "Then Gokulam" (literally, "Southern Gokulam") and several other shrines over the course of his life.
According to family sources, Venkata Kavi was passionate about music but could not find a Guru of his choice in that area, which prompted his mother to suggest that he appeal to the God Krishnaa himself, in the Kaalinga Narthana Temple in Oothukkaadu. He is believed to have received initiation from the Lord himself, as asserted in one of his Tamil compositions, Guru paadaaravindam komalamu - in the raga Abhogi, he declares: "I have never studied the scriptures or yoga nor pretended to have done so. I received the fortune of knowledge in the benevolent glance of my guru."
Musicianship
The greatest evidence of his musical pedigree is his compositions. There are several references to good musical approach, practices and even technical terms of ornamentation like and . Venkata Kavi believed that music had to be blended with spirituality (bhakti) in order to shine. His philosophy, ("Devotion though music is the sole path to salvation") is also resonated by Tyagaraja (1767-1847) .
Consult this Wiki glossary for some of the Carnatic music terms.