Puchito Records was Cuba's second independent record label. It was founded in 1954 during the mambo and cha-cha-chá explosion. Many of its recordings, produced by its founder Jesús Gorís, became instant hits.
History
Early career of Puchito's founder
The founder, Jesús Gorís (né Jesús Ramon Francisco Gorís Ballas; 12 April 1921 Havana, Cuba – 16 Aug 2006 Miami, Florida) had been a representative of RCA Victor, selling records from a separate counter at his father's hardware store, La Estrella. Eventually, the store became known as Gorís Shop.
In 1952, Gorís invested in a single, "Guantanamera", composed by Joseíto Fernández, which did well in jukeboxes. Gorís and two partners, Messrs. Alfredo Beltrán and Oliva, originally wanted to launch a series of children's records, so they chose the name Puchito, which, in this context, means "youngest child." In 1954, Gorís and his two partners produced an LP of Olga Guillot singing with The Castro Brothers Orchestra, one of Cuba's first jazz bands (no relation to Fidel Castro). Although Guillot. "Mienteme" ("Lie to Me"), a bolero composed by Chamaco Domínguez (es) (1921–1985), was one of the album's great successes. Puchito went on to produce Guillot on nine more albums, and a few singles, up until 1960. In 1958, Gorís hired pianist René Touzet (1916–2003) as musical director and orchestrator of Guillot's album, Intemidades (MLP-526), which gained reputation as having the most important works of her career, and several that cemented Touzet's reputation as an original composer: "La Noche de Anoche" ("The Night Last Night"), "Será Cuando Tú Quieras," "Estuve Pensando," and "No Te Importe Saber" ("Let Me Love You Tonight"). Guillot and Touzet, though never married, had a daughter together: Olga María Touzet-Guillot (born 1960).
With the support of Benny Moré, Gorís spearheaded the rediscovery of a major sonero artist from the 1920s, Abelardo Barroso, who, back then, had sung with Sexteto Habanero. Gorís curated and, through Puchito, republished old photographs and produced Barroso with the Orquesta Sensación. In early July 1955, Barroso recorded a single, "La hija de Juan Simón" and "En Guantánamo" (Puchito 224, 78 rpm & 45 rpm), his first recording in over fifteen years, and apart from his solitary single in 1939, his first in over a quarter century. Rolando Valdés, founder of Orquesta Sensación, selected the songs for the session, both from Barroso's radio hits of the 1930s. The release became one of the greatest double-sided hits in the history of popular music. It became a Gold Record in 1956.
In 1956, Puchito released 5 more singles featuring Barroso and Orquesta Sensación.
Selected 1956 releases
Puchito 262 (1956); Side A: "El Manisero" ("The Peanut Ventor") Moisés Simons (w&m)
Side B: "Resabroso Cha-Cha-Cha"
Puchito 496
Side A: "Coctel Para Dos" Arthur Johnston (w&m) Sam Coslow (w&m) Side B: "Vuelve Navidad" Other Puchito hits by Barroso "El Panquelero" "Tiene sabor" "El Guajiro de Cunagua" "La Macorina" "Con sabor a bombón" "Bruca Maniguá"
For the rest of the 1950s, Gorís produced several other highly successful records on the Puchito label. He produced Chapottin y sus Estrellas on with singer Miguelito Cuní (es) (1917–1984), the Orquesta Riverside with singer Tito Gomez (1920–2000) and Roberto Faz (1914–1966) and his conjunto for the label. Puchito manufactured its discs at Panart's factory.
Puchito recording locals in Havana
At some point, Puchito recorded in the studios of Radio Progreso, built in 1950. Puchito also recorded in a private studio at Calle 10 n.52 in the Vedado district of Havana. And for many years, Puchito recorded at Cuban Plastics & Record Corporation at San Miguel 410, between Campanario and Lealtad in Havana, with the factory outside of the city. San Miguel 410 was the home of Panart, founded and owned by Ramón S. Sabat and his wife, Julia, both also founders of Cuban Plastics and Record Corporation.
1961 Cuban nationalization — National Press of Cuba
On May 29, 1961, during the process of enterprise nationalization started by the Revolutionary Government, the assets and management of several record companies were assumed by the Imprenta Nacional de Cuba (INC) (National Press of Cuba), an arts overseer created March 31, 1961. Companies included in the seizure included Puchito and Panart.
Imprenta Nacional de Cuba acted as the only legal Cuban label until 1964.