Covers of books Jenny Bhatt has written and translated. Used with permission. According to Indian American writer, literary translator and book critic Jenny Bhatt, only a small percentage of books from different South Asian languages find their way to international readers, especially in the United States market. Bhatt teaches creative writing at Writing Workshops Dallas, leads Desibooks, a global multimedia forum that showcases South Asian literature and connects readers and writers through conversation and community. Her debut story collection, ‘Each of Us Killers’, published by 7.13 Books, won a 2020 Foreword INDIES award in the Short Stories category and was also a finalist in the Multicultural Adult Fiction category. Her recent literary translation, ‘Ratno Dholi: Dhumketu’s Best Short Stories’, published by HarperCollins India, has been shortlisted for the 2021 PFC-VoW Book Awards for English Translation from Regional Languages. Global Voices interviewed Bhatt about her most recent literary translation via email, and discussed South Asian literature's prospects in the international market. Jenny Bhatt. Image via author. Used with permission. Global Voices (GV): Tell us about the experience of translating Dhumketu’s stories. Jenny Bhatt (JB): This was my first book-length translation of a writer's work. Before that, I'd translated the odd short story for family members but nothing beyond that. For this project, I read approximately 600 short stories by Dhumketu [the pen name of Gujarati writer Gaurishankar Govardhanram Joshi (1892-1965)] to select the 26 or so for the collection. This was a long process. I also learned a lot along the way about the craft of literary translation. I'm still learning, I believe. The commercial side of things was a steep learning curve as well, in terms of getting copyright permission, etc. I started the book project in 2017 and the book finally launched in 2020. So, beyond the craft and commercial aspects, I learned the art of patience and self-discipline to stay on course despite setbacks. GV: How was your publishing journey? JB: The publishing journey for the translation was educational, for sure. I didn't start out with the idea of doing a book-length translation. I was actually querying an agent in India for my own short story collection [‘Each of Us Killers’ came out in the United States in 2020]. In my email, I'd mentioned how I was also doing a bit of translation work. The agent called me within the hour, keen on the translation. Then began the long process of getting copyright permission, getting a publisher, actually completing the translation, editing it, etc. The thing that no one had predicted or anticipated was, of course, that the book would launch during a global pandemic. So that added more challenges, as I was in the US while the book was being released in India—and the world was just getting used to going all virtual with book events. So, anyway, as I tell people, all of us who had debuts during the global pandemic are now prepared for pretty much anything as far as book launches go. GV: Tell us about the podcast you run. JB: Desi Books focuses on books from or about South Asia. I find that, particularly in the [West], our books are not given their due attention. The desi [a word used to describe the people, cultures, and products of the Indian subcontinent and their diaspora] books that do make it big are often those that check off certain boxes for western gatekeepers and critics, that confirm certain stereotypes and biases people have about South Asia. So my goal is to spotlight the amazing diversity of our literary traditions. And, as I always say, a rising tide lifts all boats. In the end, our literary culture is that much richer and stronger if we all support and uplift each other. Finally, I want to do and be more of what I'd like to see in the world. So, if I want to see more diverse South Asian books being accepted and read, I need to do my bit of literary citizenship toward that. I find it more productive to put out positive energy through this kind of work than to just complain about the problems I see across the literary landscape. Right now, it's a solo venture because I can't afford to pay anyone, but I'm hoping to find some funding options so I can pay a couple of folks to do interviews and reviews. Let's see. GV: Are any of your new publications coming out soon? What are you working on currently? JB: These days, I'm working on a novel as my longer-term project. But I do have ongoing book reviews and short story translations coming out on a regular basis. [My creative writing class] takes up a good part of my working day. And, of course, there's the podcast, which takes a certain amount of time on a weekly basis.