The Book of the Thousand Nights and a Night -- Volume 03 part 2 [Supplement] — Part 87

VARIANTS AND ANALOGUES OF THE TALES IN THE SUPPLEMENTAL NIGHTS, VOL. III.

AUTHOR OF “POPULAR TALES AND FICTIONS: THEIR MIGRATIONS AND TRANSFORMATIONS,” ETC.

_VARIANTS AND ANALOGUES OF THE TALES IN THE SUPPLEMENTAL NIGHTS,_ VOL. III.

This story is a compound of two distinct tales, namely, the Dream of Riches and the Quest of the Ninth Image. It has always been one of the most popular of the tales in our common version of the “Arabian Nights,” with this advantage, that it is perhaps the only one of the whole collection in which something like a moral purpose may be discovered—“a virtuous woman is more precious than fine gold.” Baron de Sacy has remarked of The Nights, that in the course of a few years after Galland’s version appeared “it filled Europe with its fame, though offering no object of moral or philosophical interest, and detailing stories merely for the pleasure of relating them.” But this last statement is not quite accurate: Shahrazad relates her stories merely to prolong her own life.

It is a curious fact—and one perhaps not very generally known—that the Tale of Zayn al-Asnám is one of two (the other being that of Khudádád) which Galland repudiated, as having been foisted into his 8th volume without his knowledge, as he expressly asserts in the “Avertissement” to the 9th vol., promising to remove them in a second edition, which, however, he did not live to see. I understand that M. Herrmann Zotenberg purposes showing, in his forthcoming edition of “Aladdin,” that these two _histoires_ (including that of the Princess of Daryábár, which is interwoven with the tale of Khudádád and his Brothers) were Turkish tales translated by M. Petis de la Croix and were intended to appear in his “Mille et un Jours,” which was published, after his death, in 1710; and that, like most of the tales in that work, they were derived from the Turkish collection entitled “Al-Faráj ba’d al-Shiddah,” or Joy after Affliction. But that Turkish story-book is said to be a translation of the Persian collection entitled “Hazár ú Yek Rúz” (the Thousand and One Days), which M. Petis rendered into French.

In the preface to Petis’ work it is stated that during his residence in Persia, in 1675, he made a transcript of the “Hazár ú Yek Rúz,” by permission of the author, a dervish named Mukhlis, of Isfahán. That transcript has not, I understand, been found; but Sir William Ouseley brought a manuscript from Persia which contained a portion of the “Hazár ú Yek Rúz,” and which he says (“Travels,” vol. ii. p. 21, note) agreed so far with the French version. And it does seem strange that Petis should go to the Turkish book for tales to include in his “Mille et un Jours” when he had before him a complete copy of the Persian original; and even if he did so, how came his French rendering of the tales in question into the hands of Galland’s publisher? The tales are not found in Petis’ version, which is regularly divided into 1001 Days; and the Turkish work, judging from the titles of the eleven first tales, of which I have seen a transcript by M. Zotenberg, has a number of stories which do not occur in the Persian.[124] But I think it very unlikely that the tales of Khudádád and the Princess, foisted into Galland’s 8th volume, were translated from the Turkish collection. In Galland the story of the Princess Daryábár is inserted in that of Khudádád; while in the Turkish story-book they are separate tales, the 6th recital being under the title, “Of the Vazír with the Daughter of the Prince of Daryábán,” and the 9th story is “Of the Sons of the Sovereign of Harrán with Khudádád.” This does not seem to support the assertion that these tales in Galland were derived from the Turkish versions: it is not to be supposed, surely, that the translator of the versions in Galland conceived the idea of fusing the two stories together?